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Death in a Cold Climate: A Guide to Scandinavian Crime Fiction (Crime Files), by B. Forshaw
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Barry Forshaw, the UK's principal crime fiction expert,presents a celebration and analysis ofthe Scandinavian crime genre, from Sjöwall and Wahlöö's Martin Beck series through Henning Mankell's Wallander to Stieg Larsson's demolition of the Swedish Social Democratic ideal in the publishing phenomenon The Girl with the Dragon Tattoo .
- Sales Rank: #4204537 in Books
- Published on: 2012-02-15
- Released on: 2012-02-14
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x 1.00" w x 6.00" l, .80 pounds
- Binding: Hardcover
- 207 pages
Review
'Death in a Cold Climate is both intelligent and perceptive. Humble it is not. It is, to my knowledge, the most complete guide to Scandinavian crime fiction yet written in any language, an invaluable companion for anyone interested in the genre.'
- Mons Kallentoft, Financial Times
'Extensive, penetrating and intelligently written, Barry Forshaw's book is the most fulfilling work on the strange genre of Nordic Noir I have ever encountered.'
- Håkan Nesser, author of The Inspector and Silence
'Death in a Cold Climate is a comprehensive and authoritative guide to the fictional underbelly of the Nordic psyche, whose popularity has become the publishing sensation of the century. Perceptive, witty and awesomely well-researched.'
- Andrew Taylor, author of The American Boy
'Far more than a checklist, this is the essential guide through the snowdrifts of Nordic Noir.'
Val McDermid, author of The Wire in the Blood
'...Surely this is the Guide to Scandinavian Crime Fiction, as the UK's foremost crime fiction expert Barry Forshaw has gone definitive here with a triumphant volume that should sit proudly on every crime fiction fan's bookshelf. If you wanted a guide to take you down the dark and deadly streets of crime fiction, Mr Forshaw's your man [...] Entertaining and informative in equal measures, it provides insightful background to the books most crime fans will be familiar with and love, plus bang up to date information on new and upcoming authors and titles to watch out for, all through great essays and interview pieces. With sections from authors, translators & publishers, UK release dates and original dates of publication this is a tombe overflowing with reference and deep research and, above all else, an undying passion for the genre[...]The book closes with a fantastic bibliography and index to enable the volume to be put to use for years to come every time you pick up a new Scandinavian crime fiction title or wish to seek out a new read.'
- Keith B Walters, We Love this Book
'With customary depth and precision, Forshaw gets under the skin of this celebrated genre, uncovering many of its secrets and riches. Like its subjects, this book is hard to put down, and will undoubtedly be returned to time and again.'
- Dr Steven Peacock, University of Hertfordshire, UK
'In his excellent new book, Death in a Cold Climate: A Guide to Scandinavian Crime Fiction, Barry Forshaw throws a revealing light on the phenomenon of the Nordic policier (interestingly, the French slang term for the crime films and the detective novel is "le polar"). He distinguishes between the different countries, between male and female writers, and sees a clear line reaching down from the shared background of bloody, painful Icelandic sagas and Nordic mythology, through the dark social and psychological explorations of Ibsen and Strindberg and on into the 20th-century experience of war, occupation, resistance, collaboration and neutrality guilt.' - Philip French, the Observer
'A fascinating, comprehensive and very enjoyable overview of the publishing phenomenon that is Nordic noir, placing it in a cultural and historical context, with insightful contributions from writers, translators and editors - an essential reading guide for lovers of the crime genre.'
- Laura Wilson, crime fiction critic, The Guardian
'Essential reading for anyone seeking clues to the next Jo Nesbø.' - PD Smith, The Guardian
'Barry Forshaw's forensic feeling for snow is coloured by the quantity and quality of blood spilled on it in recent years by Nordic crime writers. The dash of publishers to find "the next Stieg Larsson" and their hyping of Jo Nesbø as "the next Henning Mankell" indicates the strength of cold climate killing as a subgenre of crime fiction... This overview of a literary phenomenon is as definitive as any aficionado could hope for.'
- Iain Finlayson, The Times
'The sudden triumphant rise of Nordic mystery stories is a fascinating puzzle of modern literature. With forensic intelligence, captivating characters, riveting clues and sub-plots, Barry Forshaw investigates and satisfyingly explains what happened.'
- Mark Lawson
'Not a stone is left unturned in Barry Forshaw's witty, encyclopedic investigation into the fictional crimes that have made Scandinavia the most talked about region in the world of books. Death in a Cold Climate is a unique and admirable personal testament to the writers, translators and publishers who have dedicated themselves to introducing Scandinavian crime fiction, its many languages and cultures, to the English speaking world. If upon turning the last page of Forshaw's book you are not immediately heading for the nearest bookstore to buy up every Scandinavian crime novel on its shelves, you were probably not meant to read this book in the first place.'
- Jakob Stougaard-Nielsen, University College London, UK
'What Barry Forshaw doesn't know about crime fiction, to borrow an old phrase, isn't worth knowing. A journalist, chronicler of the genre, and talking head for the CWA Awards, with Death in a Cold Climate he covers in depth the extraordinarily popular sub-genre that is Nordic noir...Through interviews with authors and translators, Forshaw offers in-depth takes on the cream of the Nordic crop...an informative and educational effort from perhaps the nation's leading expert in the field.' - Dennis O'Donnell, bookgeeks.co.uk
'...a comprehensive guide to the Nordic noir mystery genre.' - Christopher Silvester, Daily Express
'For those of you who take your crime fiction seriously, Barry Forshaw has produced Death in a Cold Climate, an excellent new guide to Scandinavian crime fiction.' - Jessica Mann, The Literary Review
'Through an exploration of culture, politics and history, and in fascinating interviews with writers, editors and translators, Forshaw unravels the mystery of the snowbound murder's huge appeal in this enjoyable guide; an essential companion to any collection of Nordic crime novels.' - The Good Book Guide
'Forshaw writes with enthusiasm, knowledge and attention to detail...Death in a Cold Climate can be read cover to cover or dipped into using the comprehensive index. This is a work you will want to finish, though: Forshaw's descriptions whet the reader's appetite to read more Scandinavian crime fiction...' - Swedish Book Review
'This book is recommended for those interested in the recent publishing phenomenon of the Nordic Noir genre, for those following courses of European contemporary literature, and to general readers who have seen Wallander and The Killing on TV.' - Eric Jukes, Reference Reviews
'...the great strength of Death in a Cold Climate for academic readers and translators is the broad picture it paints of the publishing industry. The interviews from a range of translators, publishers and authors give the book a lot of authentic material and this is will prove valuable for anyone studying the translation of Nordic crime.' - Jonathan Evans, The Journal of Specialised Translation
About the Author
Barry Forshaw's books include Death in a Cold Climate, British Crime Film, The Rough Guide to Crime Fiction, Italian Cinema, British Crime Writing: An Encyclopaedia , and a biography of Stieg Larsson. He has written for a variety of newspapers, Crime Time, and is a talking head for ITV author profiles and BBC documentaries.
Most helpful customer reviews
12 of 12 people found the following review helpful.
Comprehensive and valuable
By bookaddict
Barry Forshaw's book is a comprehensive treatment of the crime fiction of Sweden, Norway, Finland, Denmark, and Iceland that is available, or likely to become available, in English. He includes both authors who are now well-known--Henning Mankell, Stieg Larsson, Jo Nesbo, for example--and a large number of less-known authors from these countries, many of whom are destined for success in the English-language market. Forshaw compares these authors to each other and to British and American authors of crime fiction. He demonstrates intimate knowledge of the individual works of a very large number of authors. Forshaw also addresses important issues in translating and publishing Scandanavian novels and includes the perspectives of important translators and publishers, often in their own words.
Throughout the book, strong themes relate the authors' treatment of crime to the social welfare state, cracks in the social democratic ideal, and differences and similarities among the Scandinavian countries. The author addresses both the darkness present in much Scandinavian crime fiction and the fact that it generally overestimates the relatively low incidence of crime in the locales depicted. Many references are provided. From the popularity of Stieg Larsson's trilogy and Henning Mankell's Wallander mysteries, it is obvious that many English readers value the insights into the Nordic cultures and what Forshaw describes as the audacious and ambitious treatment of crime fiction provided by Scandinavian authors--this book is a valuable resource for those who either want to have a better understanding of what they have read or find new authors to enjoy.
4 of 4 people found the following review helpful.
Love Nordic Noir!!!
By Dusty L. Humes
I used this book both to better understand the origins of the Nordic Noir genre as well as to find recommendations for more authors to read. Prior to reading this "review of the literature", I had not fully recognized that one of the reasons I like this genre much more than American (or even English) detective suspense novels has to do with the political nature of the plots as well as the more fully developed characters. Some of the novelists that I have read as a result of this guide include: Camilla Lackberg ("Ice Princess"-Sweden); Karin Fossum ("Don't Look Back" -Norway); Jussi Adler-Olsen ("Keeper of Lost Causes"-Denmark); Johan Theorin ("Echoes From the Dead"-Sweden); Jo Nesbo (all of the Harry Hole series) & Håkan Nesser (his detective Van Veeteren: "Mind's Eye" & "The Return" -Sweden). If you are drawn to this dark genre, I would definitely recommend this overview of the history of its development in each of the Skandinavian countries as well as its influence on film & television ("The Killing").
3 of 3 people found the following review helpful.
mostly comprehensive guide to Scandinavian crime fiction
By audrey frances
This guide to Scandinavian crime fiction is not perfect but it is fairly vast and, for my purposes, gave a lot of information about authors I didn't know about yet. I wanted to read this book for two reasons: to find more authors in the genre, and to get some insight into what makes Scandinavian thrillers so much more interesting, more fun, more thrilling! I would say the book was more successful on the first count; I now have a big list of authors to check out and I'm very happy about that! Even though I scour Amazon reviews, lists and recommendations, I still got information about plenty of both established and new authors that sound interesting. And the author doesn't just give a list of names. There's enough information given to decide whether or not a writer seems interesting to you personally -- whether the books are psychological, procedural, noir, etc. Author Barry Forshaw has done his reading.
In regard to the second purpose, though, trying to tease out what makes these books so appealing, I believe the author was less successful, though he did try. The emphasis is on translation and the influence of living in a social democracy. There was excellent coverage of each country (Iceland, Norway, Sweden, Finland and Denmark) and its most popular writers as well as the introduction of new authors who are not as well known but about to be, based on discussions with publishers; I really enjoyed the characterizations and distinctions made about the various nations. Also, many authors are interviewed and asked about their ideas, how living in Scandinavia affects their writing, and which are their favorite books, among other things. This was all quite interesting reading. I also learned a bit about the translations.
I have two complaints about the book, however -- one trivial, one not. The trivial complaint is that the book is somewhat repetitive. The author makes the same points several times, even using the same words. And make sure you know the words 'adroit' and 'trenchant' because they are used over and over and over. Get a thesaurus! My less trivial complaint is this: What I truly love about these great thrillers is not that they're taking place in social democracies. What I love is that almost without exception these authors play with the narrative, either through shifting perspectives or complex manipulation of the timelines. It's remarkable to me that this is such a strong trait in Scandinavian thrillers, but relatively rare in mysteries and thrillers from American authors. I love the playfulness and, yes, adroit manipulation of the narrative, but that is barely mentioned here, and I think it's a huge omission. Also, there is no discussion of the great characters in these books. Correction: there is a superficial description of detectives Erlendur, Carl Morck, Anna-Maria Mella, Fredrika Bergman and Maria Wern et al. I would have appreciated a more in-depth look at these characters as well as their similarities and differences, or how they manifest their particular nationality, etc. I also really enjoy the quiet humor in these books but no discussion of that is here, not even a mention, yet to me it is one of the most striking things about these phenomenal reads. It would have been fun to read the author's ideas about what makes the Scandinavian sense of humor unique and how that is expressed in these novels.
Despite these omissions I enjoyed this book very much and would recommend it to those who enjoy Scandinavian thrillers and want to find more authors to check out. The book isn't complete, but I guess you have to leave something for the other authors too. What it does cover, it covers well. Perhaps the author will now attempt a more subjective survey? i would buy it.
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