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Inventing the Public Enemy: The Gangster in American Culture, 1918-1934, by David E. Ruth
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In this richly detailed account of mass media images, David Ruth looks at Al Capone and other "invented" gangsters of the 1920s and 1930s. The subject of innumerable newspaper and magazine articles, scores of novels, and hundreds of Hollywood movies, the gangster was a compelling figure for Americans preoccupied with crime and the social turmoil it symbolized. Ruth shows that the media gangster was less a reflection of reality than a projection created from Americans' values, concerns, and ideas about what would sell.
We see efficient criminal executives demonstrating the multifarious uses of organization; dapper, big-spending gangsters highlighting the promises and perils of the emerging consumer society; and gunmen and molls guiding an uncertain public through the shifting terrain of modern gender roles. In this fascinating study, Ruth reveals how the public enemy provides a far-ranging critique of modern culture.
- Sales Rank: #981769 in Books
- Published on: 1996-04-15
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .60" w x 6.00" l, .65 pounds
- Binding: Paperback
- 200 pages
From the Back Cover
In this richly detailed account of mass media images, David Ruth looks at Al Capone and other 'invented' gangsters of the 1920s and 1930s. The subject of innumerable newspaper and magazine articles, scores of novels, pulp books and plays, and hundreds of Hollywood movies, the gangster was a compelling figure for Americans preoccupied with crime and the social turmoil it symbolized.
Most helpful customer reviews
0 of 2 people found the following review helpful.
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By Justice R Ogomon
Have not got time to read my copy but from the friend's copy, l develop love for it. it is good and hope everyone will enjoy it.
6 of 6 people found the following review helpful.
Fine beginner's text
By A Customer
Ruth's book is an interesting introduction to gangster movies and their function in American Culture. Although Ruth's writing is somewhat dull, the way he reveals deep connections between gangster movies (e.g. The Public Enemy) and contemporaraneous cultural anxieties is remarkable. A fine introduction to ways of discussing the political implications of popular culture; recommended for high schoolers and early college readers interested in the subject.
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