Senin, 25 Agustus 2014

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The Time of Contempt (The Witcher), by Andrzej Sapkowski

The New York Times bestselling series that inspired the international hit video game: The Witcher
Geralt is a witcher: guardian of the innocent; protector of those in need; a defender, in dark times, against some of the most frightening creatures of myth and legend. His task, now, is to protect Ciri. A child of prophecy, she will have the power to change the world for good or for ill -- but only if she lives to use it.
A coup threatens the Wizard's Guild.War breaks out across the lands.A serious injury leaves Geralt fighting for his life...... and Ciri, in whose hands the world's fate rests, has vanished...
The Witcher returns in this sequel to Blood of Elves.
Witcher novelsBlood of Elves
The Time of Contempt
Baptism of Fire The Tower of SwallowsLady of the Lake
Witcher collectionsThe Last WishSword of Destiny
The Malady and Other Stories: An Andrzej Sapkowski Sampler (e-only)

Translated from original Polish by David French

  • Sales Rank: #4331 in Books
  • Brand: Brand: Orbit
  • Published on: 2013-08-27
  • Released on: 2013-08-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.00" w x 5.50" l, .70 pounds
  • Binding: Paperback
  • 352 pages
Features
  • Used Book in Good Condition

Review
"The universe of Sapkowski's The Witcher is one of the most detailed and best-explored in modern fantasy, offering endless opportunities for fresh ideas ... Complex character relationships enrich this already complex world; this is the sort of series fantasy fans will cherish."―B&N

"One of the best and most interesting fantasy series I've ever read. Though it functions well as adventure fiction, it has added depth and value as satire and commentary on fantasy literature ... Sapkowski is a genuine stylist."―Nerds of a Feather

"Like a complicated magic spell, a Sapkowski novel is a hodgepodge of fantasy, intellectual discourse, and dry humor. Recommended."―Time

"Like Mieville and Gaiman, [Sapkowski] takes the old and makes it new ... fresh take on genre fantasy."―Foundation on The Last Wish

"A breath of fresh air in a well-worn genre. Don't miss it!"―Dreamwatch

"Sapkowski has a phenomenal gift for narrative, inventing sensational events, creating a suggestive mood, and building up the suspense along with a dazzling, slightly cynical sense of humor."―Jacek Sieradzki, Polityka on The Last Wish

"Sapkowski's The Last Wish is a great collection of short stories centered around a witcher, Geralt - a rare sorcerous breed who hunts down the monstrous but is feared by the innocent. With a wondrous mix of Eastern European folklore and myth, beautiful princesses, mischievous demons and where all is not as it seems, The Last Wish is a great read - perfect for dipping into or just reading cover to cover, as I did."―Waterstones

"It is [his] world-weariness combined with his battle-honed powers that make Geralt such an interesting character. Here's hoping The Last Wish is merely the opening chapter in his English language adventures."―Edge

"I really, really enjoyed this book ... None of the characters in Sapkowski's world are black or white; they are all shades of grey, including Geralt and the monsters."―The Deckled Edge

"Sapkowski is very good at creating interesting, imaginative characters with unusual levels of depth to them ... The Last Wish is an enjoyable book full of stories both melancholy and comic."―The Wertzone

"This beautifully written character-based story from Polish author Andrzej Sapkowski ... a refreshing champion."―The Specusphere

"New battle mechanics, a fantastic storyline, and a gritty setting make The Witcher one of the most engrossing, mature RPGs to arrive on the PC in years."―Gamespot.com on The Witcher video game

"The Witcher delivers one of the most intense and rewarding role-playing experiences this year."―GT Reviews on The Witcher video game

About the Author
Andrzej Sapkowski was born in 1948 in Poland. He studied economy and business, but the success of his fantasy cycle about the sorcerer Geralt of Rivia turned him into a bestselling writer. He is now one of Poland's most famous and successful authors.

Most helpful customer reviews

28 of 29 people found the following review helpful.
Great Read (spoiler Free)
By jtoth
This is a great addition to the Witcher books. It has more action than the previous book and some great dialogue. I am looking forward to reading the next one.

**IMPORTANT**
If you've read The Blood of Elves without reading the second short story book (The Sword of Destiny, never got officially published in English), Google 'The Sword of Destiny Fan Translation' and read it! They are super easy to find, and even come in a kindle friendly (.mobi) format! If you're a fan of the series and haven't read the second short story book then you're really missing out.

24 of 31 people found the following review helpful.
The same Sapkowski you loved marred by a new translator
By Danny Blaugher
I will preface with this: the novel is excellent. If you are even a mild admirer of the Witcher series, this whole line of novels will suck you in. The Time of Contempt swiftly sets rolling the ball Blood of Elves positioned. It leaves you wanting more. In no way is this a bad thing. In fact, non of my complaints have to do with those things Sapkowski directly controlled, that which a translator can not alter: namely plot, pacing, and characterization. The grievances do start, however, when it comes to syntax. To some it may be a relief that Danusia Stok didn't translate this book, but rather the task was given to David French. I stumbled with his translation efforts. Many times throughout the book I had to reread sentences because they were composed in an especially unusual manner, and even after looking them back over, a number of them made no sense whatsoever. To quote one of the less egregious missteps:

"'Lydia,' smiled Vilgefortz, 'thanks for your acknowledgement.'"

It becomes clear further in the paragraph that Vilgefortz is speaking for Lydia, not thanking her as the syntax would imply. This blundering mistake could have been fixed with a simple word, added to the effect of 'thanks you,' but by some act of malevolence or neglect, it was left as is through the editing process. But as stands, this still is a coherent line, just with poor flow. What follows is something I still can't puzzle out:

"The manhunters didn't touch Mistle, not once they'd checked she really was untouched."

I really want to throw a copy of The Elements of Style at the translator and his editors, as I can't make head or tail of what this was meant to say. Danusia Stok may have struggled with Sapkowski's style and produced some prose that was stuttering, but I don't recall from either of her translations (Last Wish and Blood of Elves) such terrific errors as are in this book.

But, these errors having been examined, it still stands that a translator is but a mirror, and no matter how smudged its surface is, light always reflects back. It is exceptionally fortunate that Sapkowski's original Polish work is very bright. Even such blatant disregard for grammatical rules essential for communication in the English language cannot mar entirely what makes Sapkowski's books so loved. The characters are voiced uniquely, and he brings them about in ways which we would expect, and even in some ways we wouldn't. Geralt returns partway through the book, and his reveal is just as momentous as it is akin to returning to an old friend. He is, admittedly, less bitter and sardonic than he was in the previous books, but perhaps that is because he takes a backseat in this novel. As the book progresses, it become clear that it is Cir, not the headlined Geralt, who is the star of the novel, and in no way is this a bad thing. I can't say much in regards to why I am so excited to find out what she makes of the situation she is in by the end of the book without spoiling it, but her evolution throughout the tale almost put her above the Witcher as my favorite character from the series. Almost. The story arc of the Witcher and Ciri takes place in the backdrop of the politics and scheming of the north in the face of the Nilfgaardian threat. While a relatively minor part of the novel, it was very clear that large pieces were being moved on the proverbial checkerboard. I took great joy in the few clever twists Sapkowski threw into the book, carrying the same disbelief as did the characters. The book, in a summary, is intense and gripping. It involves us in the protagonists and their affairs. In true Witcher style, none of the sides are motivated simply. There is no right or wrong, and neutrality is still a narrow road to walk. I may have complained extensively about the translator, but that is because that is the only aspect I can truly critique. And even then, the book is a quick read despite the translator's staggered efforts. This is a book to be picked up by every fan who read Blood of Elves and enjoyed it, as it is more of the same and then some. And best (and worst) of all, it leaves you wanting more. At this moment, I am considering the long wait to the next edition against the inconsistent waters of fan translations. If not obvious, I loathe badly translated works. If the fact that I am willing to resort to the unpolished efforts of fans in translating the sequential editions of the series, in lieu of waiting for Orbit to tumble out another official release, is not evidence enough of this series's compelling drive, then I am at a loss as to what else to say.

7 of 8 people found the following review helpful.
The Witcher returns for a sinister turn of events
By Amazon Customer
Just finished this today and the book was great. If you enjoy the Witcher setting, its video games, or just want a different wrinkle to the fantasy formula, this is worth a read.

The middle was rather boring; for some reason, when Sapkowski describes banquets, balls, and the ridiculously named nobles who attend them, it gets hard to keep track of what's going on, and what is going on isn't all that fun to read. But outside of that, it was a delight to return to this world and the story had no issues picking back up once it got past the parts I had problems with. There is no deus ex machina here - the protagonists do fail and even when a savior-figure does come seemingly out of nowhere, it's usually just as helpless as the main characters are.

There's a reason why this book is called The Time of Contempt and it's not just because of the Elder Blood prophecy. By the end of the book, things get so dark and gritty it's almost hard to look back at how comparatively light the book, and the series itself, was before the game-changing events that occur in this volume.

I'm not convinced the new translator is doing a demonstrably better job than past entries, but English-reading Witcher and Sapkowski fans should be pleased.

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  • Published on: 2012-06-27
  • Binding: Hardcover

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[J714.Ebook] Download PDF Persian Authorship and Canonicity in Late Mughal Delhi: Building an Ark (Iranian Studies), by Prashant Keshavmurthy

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Persian Authorship and Canonicity in Late Mughal Delhi: Building an Ark (Iranian Studies), by Prashant Keshavmurthy

Writing in the eighteenth century, the Persian-language litterateurs of late Mughal Delhi were aware that they could no longer take for granted the relations of Persian with Islamic imperial power, relations that had enabled Persian literary life to flourish in India since the tenth century C.E.

Persian Authorship and Canonicity in Late Mughal Delhi situates the diverse textual projects of ‘Abd al-Qādir “Bīdil” and his students within the context of politically threatened but poetically prestigious Delhi, exploring the writers’ use of the Perso-Arabic and Hindavi literary canons to fashion their authorship. Breaking with the tendency to categorize and characterize Persian literature according to the dynasty in power, this book argues for the indirectness and complexity of the relations between poetics and politics. Among its original contributions is an interpretation of Bīdil’s Sufi adaptation of a Braj-Avadhi tale of utopian Hindu kingship, a novel hypothesis on the historicism of Sirāj al-Din ‘Alī Khān “Ārzū”s oeuvre and a study of how Bindrāban Dās “Khvushgū" entwined the contrasting models of authorship in Bīdil and Ārzū to formulate his voice as a Sufi historian of the Persian poetic tradition.

The first book-length work in English on ‘Abd al-Qādir “Bīdil” and his circle of Persian literati, this is a valuable resource for students and scholars of both South Asian and Iranian studies, as well as Persian literature and Sufism.

  • Sales Rank: #5072730 in Books
  • Published on: 2016-02-10
  • Original language: English
  • Dimensions: 9.21" h x .50" w x 6.14" l, .0 pounds
  • Binding: Hardcover
  • 190 pages

About the Author

Prashant Keshavmurthy is Assistant Professor of Persian-Iranian Studies in the Institute of Islamic Studies, McGill University. His research interests include late Mughal political discourses, Safavid-Mughal commentarial practices, Persian-Urdu poetics, Persian translations of Indic language works and Islamic autobiographical discourses.

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Sabtu, 16 Agustus 2014

[G552.Ebook] Free Ebook Paul Butterfield - Blues Harmonica Master Class: Book/Online Audio, by Paul Butterfield

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Paul Butterfield - Blues Harmonica Master Class: Book/Online Audio, by Paul Butterfield

(Guitar). Paul Butterfield Teaches Blues Harmonica is part of the Listen and Learn series from Homespun. Paul explains some of his playing techniques that made him famous such as note-bending, tongue-blocking, and tremolo. Includes online access to audio for download or streaming, using the unique code inside this book. Now including PLAYBACK+, a multifunctional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right available exclusively from Hal Leonard.

  • Sales Rank: #782341 in Books
  • Brand: Hal Leonard
  • Model: 699089
  • Published on: 1997-11-01
  • Released on: 1997-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .16" w x 9.00" l, .60 pounds
  • Binding: Paperback
  • 56 pages
Features
  • 56 Pages
  • Softcover with CD
  • Author: Paul Butterfield

Most helpful customer reviews

7 of 7 people found the following review helpful.
Pauls Butterfeilds basics a good start.
By Jack Casey Jr.
I've played blues harp since I was 16 years old. In 1967 I attened the Montrey Pop Festival where Paul and his band played. I was blown away by the performance of the tune Drifting and Drifting (it's on youtube). I was amazed; How he could make that harmonica sound. I was hooked. Over the next 43 years I've listen and played along with Pauls albums, CD's (in addition to other blues harpest). I've perfected most of his harp licks into my own style of sound and playing, (and you should too). I just purchased this instructional book with CD only becasue I can't get enough of Pauls playing. This is a very easy course to start with. It flows along very good, progressively adding to the instructional content. It's a good tool to learn Pauls basics. It sould be repeated over and over again and practiced to regularly. I highly recommend that you import this instructional CD into iTunes on your comupter that way you can view each area of instruction on your screen and practice only the areas you want to by clicking the mouse. If your interested in learning more of Pauls masterful blues licks, I can't say enough about the CD The Paul Butterfield Blues Band LIVE (recorded in March 21-22 1970 at the Troubadour in Los Angeles). It some of Pauls greatest harp playing to practice too. You can't go wrong by buying any of The Paul Butterfield Bules Bands CDs to practice to here on Amazon.com A great selection of hard to find blues harp master CDs.

14 of 15 people found the following review helpful.
Poignant portrait of a master
By mike_in_sd_area
Each time you hear Paul Butterfield say "Hi, my name is Paul Butterfield and I'd like to share a few insights on the harmonica if I could..." in his somewhat crackly worn voice, you'll be filled with a premonition that he's about to leave us. And it's sad to know that he only had a few years left when he made this recording with Happy Straum. But you can't help but love the recording, though I guess I'd almost prefer to have bought it alone without the mediocre, error-riddled book that accompanies it. Here's what the recording has to offer.

1. A conversation between Paul Butterfield and the listener that almost makes you feel like he and Happy are with you. Paul's language is different/better than plain old English. He says stuff like, "Happy and I are going to do a little guitar/harmonica thing."

2. Funny moments like when he says that he's playing a Marine Band harmonica with wooden stops and little metal reeds, and you can hear Happy laugh in the background. And another after he's done playing a tune with Happy and he exclaims, "Well, that was fun!"

3. Performance quality songs, with Happy playing guitar, that are so raw you'll tingle when you hear them. Of the 76 or so tracks on the CD, about 10 are full-on recordings of 12-bar blues songs, and each one of them is a gem. You'll be surprised when you hear Paul Butterfield sing too. Though his voice is somewhat tired, it is quintessentially bluesy and gritty. You won't want the songs to end.

The material itself is incredibly advanced. Even the first simple riff he introduces, upon which you are supposed to build and advance, has several nearly impossible-to-reproduce pre-bends and bends. Just a few pages later, the material is so dense that each page will take you weeks to get through. If you're a beginner, don't even think about learning anything from this material. This is a course solely for experts. But you might still consider getting the recording just so that you can hear Paul and Happy. It generates some of the same ruminations as The Last Waltz: These are extraordinary people from an era in our history when people dared to be different, creative, and free, and they will never come again.

6 of 6 people found the following review helpful.
Lessons from a master
By Frankie No Tie
Butterfield was my door into the Chicago electric blues world in the mid 60's. I'd been playing in rock bands since elementary school (vocals and keyboards). Being from R.I. I'd been exposed to folk blues from the Newport fests, but I'd never heard anything like "Butter". He played with a passion and fury missing on the scene.
While this tape doesn't have the intensity of his early work, it's a glimspe into his head. I've messed with harp for a number of years and recently started to get more serious. This is not for a begineer or someone who looking for traditional teaching. As he put it "these notes are there, you just have to find them". It's more like sitting next to someone who's been there, listen, try it, let him rub off on you.
I would recommend this to anyone who has been working on harp and needs a fresh prespective.

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Sabtu, 09 Agustus 2014

[O248.Ebook] Download PDF A Single Man, by Christopher Isherwood

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A Single Man, by Christopher Isherwood

A wondrously conceived story spanning twenty-four hours in the life of a middle-aged expatriate British professor of English at a California university, A Single Man was described by Stephen Spender as "an absolutely devastating, unnerving, brillant book." George is a man of intellect and humor, simultaneously brash and sensitive, gentle but with a streak of benign mischief, an enjoyer and a pessimist. Consumed with grief over the recent death of his companion, he determinedly persists in the routine of his daily life. Equal parts Prufrock and Lucky Jim, George is one of the more memorable comic anti-heroes of modern literature, and A Single Man one of the strongest efforts of a major writer of the post-war generation.

  • Sales Rank: #1065154 in Books
  • Brand: Simon and Schuster
  • Published on: 1964
  • Ingredients: Example Ingredients
  • Original language: English
  • Binding: Hardcover
  • 158 pages

From Publishers Weekly
Isherwood's resurrected classic—now a feature film—takes us to Southern California in the 1960s and into one day in the life of George, a gay, middle-aged English professor, struggling to cope with his young lover's tragic death. Simon Prebble's voice is a perfect conduit for Isherwood's lyricism, and he assumes the role of George so naturally and with such raw feeling that listeners will feel as if they are hearing the words straight from the protagonist himself, so beautifully does Prebble create George's reserve behind which surge tides of grief, rage, and bitter loneliness. A University of Minnesota paperback. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"George wakes and Christopher's celebrated camera eye follows him. What Isherwood has caught with extreme brilliance is the texture of life itself in George's person... Wry, suddenly manic, constantly funny, surprisingly sad, this short novel perfects exactly those techniques which made for Isherwood his early reputation." -- Alan Pryce-Jones, Book Week

Review
“A testimony to Isherwood’s undiminished brilliance as a novelist.”
      —Anthony Burgess (Anthony Burgess )

Most helpful customer reviews

1 of 1 people found the following review helpful.
"But in the movie....."
By Teejay
Very often, trying to discuss a great book with others gets hampered by that unique Americanism of thinking that "the FILM is the accurate interpretation of the book!" This conceit is especially incorrect in the case of Isherwood's novel with its subtle characterization and not-quite-spelled-out episodes and descriptions.

Tom Ford produced a striking and visually pleasing movie, but it does not contain the truest and best essence of George's life in 1962 California as a depressed and heart-broken gay man. So many of Isherwood's details about George's life and thoughts were lost in the film that I think it is fair to claim that, while the bare bones of the story are very similar, the deepest and most meaningful moments have been lost. Thus, people who have seen the film are convinced - incorrectly - that they have understood the full story.

I don't want to list spoilers here for potential readers. I only say this: Read this novel and savor the real angst and the unique twists that comprise George's day. You will come to know a deeper and more empathetic and well-drawn man than the film by the same title has shown you.

0 of 0 people found the following review helpful.
This is a tale of grieving and redemption.......
By Carlos T. Mock
A Single Man by Christopher Isherwood

This is a tale of grieving and redemption.

This is a day in the life of George, a British English schoolteacher at San Tomas Sate College in Southern California, who is mourning the loss of his life partner, Jim. We see him get out of bed, perform his daily routine, and try to cope with his terrible loss.

Jim died at a car accident in Mexico when he was traveling with his mistress, Doris. Doris survived the accident but she's in a vegetative state. George visits her once a week - mostly because is the only thing left that is purely Jim.

Charlotte is George's best friend. Also a British, Charlotte is mourning her failed marriage with Buddy and an empty nest - as her son, Fred has finally left her to live with his girlfriend.

But redemption comes to George, Kenny Potter, one of his students, follows George to his favorite bar - a dive where he and Jim met. Kenny flirts with George and because they are so drunk, they end up together. Although George knows that this will probably be a one time thing, the redemption comes with the knowledge that George is helping Kenny deal with his homosexuality.

Beautifully told from an universal point of view, the story deals with the loss of a loved one, even one who clearly broke the trust between a couple. George clearly blames Doris for Jim's death, yet one wonders if he had lost Jim irregardless.

Isherwood is clearly aware that gays are being persecuted and presents a clear perspective of the gay man in the 1960's: "A minority has its own kind of aggression. It absolutely dares the majority to attack it. It hates the majority - not without a cause, I grant you. It even hates the other minorities, because all minorities are in competition: each one proclaims that its sufferings are the worst and its wrongs are the blackest. And the more they all hate, and the more they're all persecuted, the nastier they become! Do you think it makes people nasty to be loved? You know it doesn't! Then why should it make them nice to be loathed? While you're being persecuted, you hate what's happening to you, you hate the people who are making it happen; you're in a world of hate. Why, you wouldn't recognize love if you met it! You'd suspect love! You'd think there was something behind it - some motive - some trick...."

I wonder if the book would had a different ending, now that gays are more accepted by society....

5 of 5 people found the following review helpful.
Sad, Intelligent, Greatly Moving Novel
By Tyson
After hearing the buzz about the upcoming movie adaptation I was excited to read anything that was considered great in the gay fiction genre, and how happy I am that I did! I must admit I'd never heard of this book or its acclaimed author, which makes me sad. Irsherwood's prose is so poignant and intelligent I don't see how he isn't more well known.

A Single Man all takes place in a day, some time after George's lover has died. Isherwood describes everything very honestly, making no attempt to romanticize anything, and presents everything with blunt accuracy. Though the novel is short, there is a lot that happens during this one day with George, even if most of it is in his mind. Personally I'm very interested in how the movie is going to be done because so much of the novel is the thoughts of George, and there aren't a lot of scenes per se. Every written word is brilliant and beautiful, however. If you are in college, teach college, or have been in college you will relish the detailed descriptions as George teaches his class and goes about the campus. Like I said, this is a very intellectual novel, and if you are only interested in sweeping romance or blockbuster scenes, this isn't the book for you. It is smart, but not hard to read, though, so even if you are one of those people, I think it'd be hard not to enjoy the heartbreaking honesty. It is about love, it's about life, it's about hardship, it's about society.. I really can't justify how good it is in a review, except that I assure: you will gain something from reading this book. Whether you are gay or straight, male or female, or anyone in the world, it is powerful and you will feel moved by it.

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