Kamis, 13 Juni 2013

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Remembering the Presidents of the USA: The Super Quick And Easy Way to Remember All 44 Presidents of the United States, by Kevin Horsley,

If you are an American, or someone that is interested in American and world history, then this book is for you. Here you will quickly learn all 44 Presidents of the United States in order. Just by looking at four pictures and reading through the descriptions, you will know the presidents forwards, backwards, inside, and out.

You will also instantly learn some extra fun facts and trivia about each president. This book is not about rote learning or memorizing the presidents with some silly acronym, poem, or rhyme. It is about showing you a way to store information quickly and more effectively so that you can instantly recall information.

Why is it important to know all of the presidents?

1) If you know all 44 presidents, you have a framework and timeline for all of American and world history.

2) Once you have the framework in order, it becomes easier to connect new information to it such as time periods and decisions that were made in history that shaped the world.

3) The American Presidents are great historical world leaders and icons. By getting to know each president and doing more research into who they were as people and leaders, the more you will improve your knowledge and thinking on respectable leadership qualities. Having great references and strong stories in our minds can help us be better people in times of decision making and in life in general.

4) When you are familiar with the presidents and the timeline that they fall into, it will also be easier to connect Vice Presidents of the United States and other countries’ presidents to them and, therefore, further expand your general knowledge.

5) Impress your friends with your knowledge of all of the presidents. It is a great party ‘trick,’ and you will stand out above the crowd.

6) If you can learn all 44 quickly, for what other purpose could you use this method of remembering? You could use it as a way to stretch your memory, increase your learning, and improve your general knowledge in other areas of your life, as well.

This book has no ‘fluff;’ we will show you exactly what to do, and we get straight to the point. Don’t just read this book; play with the concepts and make it part of your thinking and your life.

If you are ready to have a bit of fun, then turn to the first lesson…

  • Sales Rank: #217299 in eBooks
  • Published on: 2014-02-18
  • Released on: 2014-02-18
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
I am so happy and grateful to have found this book to help ...
By Ricky
I am so happy and grateful to have found this book to help me in memorizing all the US Presidents in order with ease. :-)

0 of 0 people found the following review helpful.
very enjoyable
By Eric Olender
It's a very short, fast, fun way to remember all 44 presidents. It also adds additional info about different presidents not just the order they held office. Right after I was done reading I could write down all presidents in order and able to answer trivia questions about each. I'm a big fan of Kevin Horsley's methods

0 of 0 people found the following review helpful.
Worth It
By Chris
This was a really fun book. The technique was simple and easy to implement. This book encouraged me to purchase Kevin Horsley's Unlimited Memory: How to Use Advanced Learning Strategies to Learn Faster, Remember More and be More Productive.

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Sabtu, 01 Juni 2013

[L695.Ebook] Free PDF Fundamentals of Massive MIMO, by Thomas L. Marzetta, Erik G. Larsson, Hong Yang, Hien Quoc Ngo

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Fundamentals of Massive MIMO, by Thomas L. Marzetta, Erik G. Larsson, Hong Yang, Hien Quoc Ngo

Written by pioneers of the concept, this is the first complete guide to the physical and engineering principles of Massive MIMO. Assuming only a basic background in communications and statistical signal processing, it will guide readers through key topics in multi-cell systems such as propagation modeling, multiplexing and de-multiplexing, channel estimation, power control, and performance evaluation. The authors' unique capacity-bounding approach will enable readers to carry out effective system performance analyses and develop advanced Massive MIMO techniques and algorithms. Numerous case studies, as well as problem sets and solutions accompanying the book online, will help readers put knowledge into practice and acquire the skill set needed to design and analyze complex wireless communication systems. Whether you are a graduate student, researcher, or industry professional working in the field of wireless communications, this will be an indispensable guide for years to come.

  • Sales Rank: #1234529 in Books
  • Published on: 2016-12-31
  • Original language: English
  • Dimensions: 9.69" h x .59" w x 7.44" l, .0 pounds
  • Binding: Hardcover
  • 238 pages

Review
'Massive MIMO has, over the past few years, become one of the hottest research topics in wireless, and will be a key component of 5G. This book is written by pioneers of the area in a systematic and lucid way, and works out the fundamentals without getting lost in the details. I highly recommend it to anybody working in this field.' Andreas Molisch, University of Southern California, Los Angeles

'Bright and profound, this book provides the fundamentals to understand the unique capabilities of Massive MIMO and illustrates the benefits for specific use cases. The authors are scientific pioneers and masters in explaining and sharing their proficiency in this book: it is an intellectual treat for everyone fascinated by Massive MIMO technology!' Liesbet van der Perre, Katholieke Universiteit Leuven, Belgium

'A very timely text by some of the 'founding fathers' of massive MIMO. This is a great book for both the beginner, with its simple but enlightening examples, as well as a great reference text for the more experienced engineer. The book is concise and to the point, and the summary and key points at the end of each chapter make it easy to focus your reading. Highly recommended for those that want to get an in-depth understanding of massive MIMO without spending months doing so.' Lee Swindlehurst, University of California, Irvine

'The book Fundamentals of Massive MIMO elegantly combines the basic principles of large multi-user MIMO wireless systems with practical case studies, which makes it useful for both researchers and practitioners. The fact that the book is fully self-contained also makes it an excellent teaching resource. There is no doubt that it will become the standard reference on massive MIMO.' Christoph Studer, Cornell University

'Massive MIMO will dramatically change the way we use multiple antenna technologies in next generation mobile wireless cellular systems, offering new potential for effective interference mitigation while maximizing spectral efficiency; this book, written by a group of experts in the field including the inventor of this new and exciting technology himself, will prove to be an invaluable reference for every wireless communications engineer.' Stephan ten Brink, University of Stuttgart, Germany

'This is an excellent book on a very timely topic, written by some of the top researchers in the area of massive MIMO. I would encourage researchers, students and practicing engineers to consult this book.' Rick S. Blum, Lehigh University, Pennsylvania

About the Author
Thomas L. Marzetta is the originator of Massive MIMO. He is a Bell Labs Fellow at Nokia and a Fellow of the IEEE, and previously worked at Schlumberger-Doll Research and Nichols Research Corporation. He has received numerous recognitions and awards, including the IEEE W. R. G. Baker Award (2015), the IEEE Communications Society Stephen O. Rice Prize (2015), and the IEEE Guglielmo Marconi Prize Paper Award (2013). He is the recipient of an Honorary Doctorate from Linköping University, Sweden.

Erik G. Larsson is a Professor at Linköping University, Sweden and a Fellow of the IEEE. He is the co-author of 120 journal papers and the textbook Space-Time Block Coding for Wireless Communications (Cambridge, 2003). He currently serves as Chair of the IEEE SPS Technical Committee for Signal Processing for Communications and Networking (2015-2016). In both 2012 and 2014, he received the IEEE Signal Processing Magazine Best Column Award, and in 2015 he was awarded the IEEE Communications Society Stephen O. Rice Prize.

Hong Yang is a member of technical staff at Nokia Bell Labs' Mathematics of Networks and Communications Research Department, where he conducts research into wireless communications networks. He has over fifteen years of industrial research and development experience, and has previously worked in both the Department of Radio Frequency Technology Systems Engineering and the Wireless Design Center at Alcatel-Lucent.

Hien Quoc Ngo is a researcher at Linköping University, Sweden. In 2015, he received the IEEE Communications Society Stephen O. Rice Prize and the IEEE Sweden VT-COM-IT Joint Chapter Best Student Journal Paper Award. He was also an IEEE Communications Letters exemplary reviewer in 2014 and an IEEE Transactions on Communications exemplary reviewer in 2015.

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Minggu, 26 Mei 2013

[Z104.Ebook] PDF Ebook Indiana Jones and the Temple of Doom, by James Kahn

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Indiana Jones and the Temple of Doom, by James Kahn

In his newest adventure, Indiana Jones travels to India accompanied by a female torch singer named Willie Scott and an eleven-year-old boy named Short Round, his self-appointed side-kick.

  • Sales Rank: #592597 in Books
  • Brand: Del Rey
  • Published on: 2008-04-29
  • Released on: 2008-04-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.90" h x .70" w x 4.20" l, .25 pounds
  • Binding: Mass Market Paperback
  • 224 pages
Features
  • Great product!

From the Inside Flap
In his newest adventure, Indiana Jones travels to India accompanied by a female torch singer named Willie Scott and an eleven-year-old boy named Short Round, his self-appointed side-kick.

About the Author
Best-selling author, James Kahn, is a medical specialist, writer, and musician-and is considered a legend in the Sci-Fi adventure book, film and TV industries. His writing credits range from authoring Return of the Jedi (on the NY Times Best-seller List for numerous weeks), Indiana Jones and the Temple of Doom, Goonies, and Poltergeist to being the writer-producer for such television shows as Melrose Place and Star Trek: The Next Generation. Icon movie director/producer Steven Spielberg and renowned sci-fi author Lester Del Rey are among his many friends, fans and collaborators over the years.

Lucas is the creator of Star Wars and director of New Hope

Most helpful customer reviews

7 of 8 people found the following review helpful.
Chapeau!
By Jon Hancock
"Indiana Jones and the Temple of Doom" disappointed a number of Indy fans, perhaps surprised at the darker tone of the second film, and is generally regarded as the weakest film of what is currently a trilogy. Not so the novelisation.
Whereas the first book was a turgid and often plodding slog this second volume gets the tone absolutely spot-on. The joy of the Indiana Jones films is that they are are B-movies, big budget and carefully crafted, but essentially homages to the Saturday serials and action adventures of the thirties, and the novelisation of "Raiders" seemed to entirely miss that point, and thus failed to capture the thrills and flavour of the cinema version. It cannot be easy writing a novel based on a screenplay anyway, since there is a severe time constraint and the very real possibility that the finished movie may veer dramatically (ahem... no pun intended) from the early written version. This is certainly one reason for a few of the more disappointing scene changes in the "Raiders" novel.
"Temple," however, is much closer to the finished film, adding to it by way of thoughts and motivations for the characters but thankfully avoiding the trap of getting mired down in efforts to produce a "serious" work. James Kahn's book is slim and has rather large type when compared to the first and third novelisations, but in this case I regard that as a plus.
The pace is furious, the action as ripsnorting as you could wish and even - goodness, I can't believe I'm saying it - Short Round actually comes over as rather a good character, which is more than you can say for the film. Indeed, going back to the movie after reading this book I found that my disappointment with the second film had abated somewhat. It is still a less exciting ride than "Raiders" and not such a glorious romp as "Crusade," yet there is much to enjoy on screen and especially in this book. A pity that Mr Kahn did not pen the later original Indy novels, as they would have been vastly improved by a writer with a keen sense of what a damn good B-movie should be all about. Hats off, indeed.

0 of 0 people found the following review helpful.
Great!
By ALo
Got this for my daughter.... she loved it!

0 of 0 people found the following review helpful.
Four Stars
By Amazon Customer
Grandson enjoys reading these

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Jumat, 24 Mei 2013

[E653.Ebook] Download PDF The New Grove Dictionary of OperaFrom Oxford University Press

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The New Grove Dictionary of OperaFrom Oxford University Press

Incorporating a decade of musicological research, the Dictionary is unsurpassed in its scope and quality, with contributions from over 1,300 of the world's leading critics and scholars. A remarkable 11,000 articles, all fully cross-referenced, create a work that has become established as the essential opera reference. Indeed, every aspect of this varied art form is covered: composers, conductors, directors, performers, librettists, literary sources, cities and countries, operatic historians, and opera genres and terminology.

  • Sales Rank: #2493574 in Books
  • Published on: 2004-12-02
  • Original language: English
  • Number of items: 4
  • Dimensions: 12.00" h x 6.20" w x 15.80" l, 22.05 pounds
  • Binding: Paperback
  • 5448 pages

Amazon.com Review
Although not for every opera lover (or every opera lover's budget), this massive four-volume set--each volume coming in at around 1,300 pages--is indispensable for the opera educator, writer, or major fanatic. While in any encyclopedia the quality of writing and the critical viewpoint must of necessity be somewhat varied, the standards in the Grove series of reference works are always high and the level of usefulness enormous. Almost any opera that debuted before 1992 is to be found within these pages, making it especially useful in this age of obscure revivals; most singers of any note who had established careers before that date are also included. Although somewhat Anglocentric in its inclusions, this remains an invaluable reference work.

From Library Journal
This final set developed from The New Grove Dictionary of Music and Musicians ( LJ 12/15/80) covers all aspects of the modern Western opera tradition, including composers, performers, directors, companies, stagecraft, theaters, cities, terms, and individual works. It follows the format of the mother set, with 10,000 signed articles by 1300 opinionated specialists, plentiful cross references, black-and-white illustrations, and secondary bibliographies attached to most of the entries. Composer listings contain detailed information on specific works; articles on individual operas normally include lengthy plot summaries, dramatis personae, and performance history; performer entries are generally limited to one paragraph and are often less than illuminating. Volume 4 concludes with appendixes of role names (e.g., Radames) and first lines. The editor claims that 80 to 90 percent of the material is newly written since the 1980 set; a spot check reveals many unique articles, particularly on contemporary composers (e.g., Michael Nyman) and their works. The expected British bias is evident, most notably in the column inches devoted to composers and cities (New York receives seven pages, London 38). For overall breadth of scholarship, however, no other work approaches this, although The Metropolitan Opera Encyclopedia edited by David Hamilton ( LJ 1/88), The Oxford Dictionary of Opera edited by John Warrack and Ewan West (Oxford, 1992), and The Encyclopedia of Opera edited by Leslie Orrey and Gilbert Chase (Scribner, 1976) are all serviceable single-volume guides. Highly recommended as the core opera reference work for all academic and public libraries. -- Anthony J. Adam, Prairie View A&M Univ. Lib., Tex.
Copyright 1993 Reed Business Information, Inc.

Review

"A monument of enlightened scholarship."--Sunday Telegraph


"Written by an army of experts."--The Times


"Make no mistake: This will be the definitive reference work in opera for many, many years to come."--The Chicago Tribune


"All inquiries into Opera begin there from now on."--The San Francisco Examiner Chronicle


"...this work will significantly affect not only the way opera is enjoyed in the future, but the way it is made."--The Washington Post


Most helpful customer reviews

38 of 38 people found the following review helpful.
From the realm of academe
By A Customer
The short & sweet of it: this four-volume set is the most comprehensive collection of information about composers, librettists, major singers, and of course, *operas* I have ever encountered. Not for the faint of heart or the casual fan. Within, you will find such goodies as: historical information (place/date of debut, librettist, commissioned by..., compositional style/process, reaction of the public, etc.), role names + voice part, historical photographs, extensive plot summaries, musical examples, orchestration, and a musicological commentary on the opera, most often in the context of the composer's larger body of works. But the best is yet to come, my friends - each entry includes a comprehensive bibliographical listing of major studies done on each opera, composer, singer, or librettist. A great place to start when researching a role, studying for a test, or preparing for a paper.
The only weakness in this volume is that one only reads of aria titles. If you are looking for an aria to sing, or in-depth information on a particular aria, you may not find a lot of reference to it here. But, the book will provide much context for your study, and this volume will point you toward a plethora of valuable resources regarding your aria.
Who should own this book: the scholar, the enthusiast, and the serious performer.

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Angels All Around: The Present Day Ministry of Angels, by Marilyn Hickey

God's mighty angelic host is not as invisible as you may think. In Angels All Around, Marilyn takes us on a behind-the-scenes spiritual adventure designed to convince Christians and skeptics alike of angelic intervention in the affairs of mankind. Learn about the supernatural warfare angels fight on your behalf. Draw comfort in knowing guardian angels are assigned to you and your loved ones. Thrill in the miraculous "coincidences" brought about by God's not-so-invisible messengers! This book will open your eyes to God's spiritual realm, where angels are all around you!

  • Sales Rank: #1309506 in Books
  • Published on: 2010
  • Binding: Paperback
  • 153 pages

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Player's Option: Heroes of the Feywild: A 4th edition Dungeons & Dragons Supplement (4th Edition D&D), by Rodney Thompson, Claudio Pozas,

Player's Option: Heroes of the Feywild™ is aimed at players who are ready to reach beyond the Player Essential books (Heroes of the Fallen Lands™ and Heroes of the Forgotten Kingdoms™) and play heroes with ties to the arcane plane of the Feywild.  This book includes new options for all characters, not just characters with the fey origin.

Players participating in the Dungeons & Dragons Encounters™ in-store play program from November 15, 2011 through February 8, 2012 will be able to build characters using this product.

  • Sales Rank: #75733 in Books
  • Brand: Wizards of the Coast Games
  • Model: 31731
  • Published on: 2011-11-15
  • Released on: 2011-11-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.20" h x .48" w x 8.61" l, 1.43 pounds
  • Binding: Hardcover
  • 160 pages

About the Author
RODNEY THOMPSON is a game designer at Wizards of the Coast whose recent design credits include the Dark Sun® Campaign Guide, the Monster Vault™ boxed set, and numerous game supplements for the Star Wars Roleplaying Game Saga Edition.

STEVE TOWNSHEND is a freelance game designer whose previous writing credits include Demonomicon™ and Monster Vault: Threats to the Nentir Vale™.

Most helpful customer reviews

47 of 48 people found the following review helpful.
Mechanically interesting options for old classes and new.
By William M. Wilson
Wow. This is, hands down, my favorite 4e player-oriented book since ... well at least since Heroes of the Forgotten Kingdoms, but probably before that, too. There's a wealth of great, mechanically-deep and interesting stuff in here for players. As a note, the options here are pretty complex - probably the most intricate since psionics, if not moreso - and some are just game-changing.

-=-=-=-=-=-=-

Quick, Capsule Summary:

Positives: Three new and incredibly interesting subclasses, design that integrates 4e from the PHBs to the Essentials line, a great collection of feats, some great themes, well-written flavor text even if some of it is a re-tread, and at least two well-designed (though somewhat setting-specific) races, out of the three presented.

Negatives: The fourth class is more stuff for Wizards, there's at least one fairly bland new race, potential power creep from some of the themes, and ... well, I kinda hate the cover art; it's too dark and almost looks like a misprint. It looks very amateurish on Amazon's page, and sadly, their image is pretty accurate.

-=-=-=-=-=-=-

So the main question on many players' minds from the announcement of this book was, "Will this book build on all of 4e, or mostly just build on the Essentials line, like Heroes of Shadow did?"

In what I hope is the way forward, the answer is "All of the above." Everything here is self-contained - you can run any of the new options out of the box no matter if you're running an Essentials-only, non-Essentials, or Kitchen Sink game. Now, while the options here largely don't need other sources, they build on PHB2 more than anything else, and the designers kept an eye on integration, making sure that we have both multiclass feats for the new options AND ways for PHB2 characters to poach the class features from here. So while Heroes of Shadow was still about 80% useful for a game without the Essentials options, Heroes of the Feywild is 100% useful for pretty well anyone.

Okay. So with that out of the way, let's dig in.

First off, there's an abundance of fluff in this book. A lot of it reminds me of the Feywild section of the Manual of the Planes, but I haven't compared them side by side. I don't know if this is a re-write or a re-print, but let's be honest - it's not why we're here! (Although, I like the map!) I'm going to focus on the mechanical stuff, since it's what I more or less live for; the flavor text is awesome, and I love reading it, but you and I both know why we're here, amirite?

So to start, we have three new races. I'm still mostly thinking I have enough races right now, so it's tough to get enthusiastic about more - especially fairly genre-specific ones like these. On the plus side, much like the races in Heroes of Shadow, all three have a suite of racial utility powers they can pick from in addition to their normal class utility powers.

Hamadryads are up first; since the 4e dryad is a nasty wooden monster, they take the role of the "pretty" dryads. Female-only, they wear their "tree faerie" stuff on their sleeves and have a pretty nice suite of racial abilities, including save bonuses versus the nastiest effects in the game. Their encounter power lets them turn into wood, or dazzle enemies with their beauty. Not bad. I don't care for Wilden or Shifters, so these are probably my favorite nature-themed race so far.

Pixies are next, and will undoubtedly make the biggest splash and cause the most confusion. There's a preview on the WotC site which has the majority of their mechanics, but in brief... They are tiny. They fly, but their altitude limit of 1 means they need to be no more than 1 square (er... cube?) above the ground (that's 1 empty square under their feet) at the end of their turn or they fall. So they can fly into a tree, but can't stay hovering out of melee range forever. They mechanically act as Small creatures for most purposes, including weapon rules and reach. They have a way to shrink gear to their size, which is helpful for DMs. ("Why yes, Briarthorn, the orcs *were* randomly carrying around a Tiny Rapier!") They can speak with beasts. And, awesomely, they can share a space with an enemy or an ally, making Pixie defenders kind of insane in a few ways.

Last up are Satyrs, which are the male side of the Hamadryads. You know 'em - Panpipes, goat legs, too much wine, etc. They are pretty durable, and get more mileage out of their healing surges after a rest, and their encounter power gives some added control effects to attacks. They can pick an at-will utility power which will make them insane jumpers. And ... eh. I never really wanted to play Mr. Tumnus, so I think I'll end up passing.

OK! On to classes! These, by the way, are awesome, and truly 5-star.

First up is the Barbarian (Berserker) who's kinda insane, and looks to be an admirable choice for the fifth member of your party. He's Martial and Primal (and those power sources actually mean something for him) and switches between Defender and Striker. The basic way it works is, he starts out as a somewhat below-par, but still relatively potent, Knight-like Martial Defender. He has a defender aura, a punishment mechanic, and some nice bonuses to AC. (Also, he can slow with an At-Will attack, which is great for a Defender.) Once he uses a Primal power, he flips out, goes into a rage, loses his defender aura and AC bonus, and turns into a pretty competent Primal Striker. It's bizarre but it looks like it works. At every level, they look to have choices between Martial (defender-oriented) and Primal (striker) attacks. Picking Barbarian powers from PHB2 will knock them into Striker mode - which works great, too, since those all have their Striker mechanics built in. PHB2 Barbarians can pick many of these powers, too, though will obviously avoid anything referencing the Defender Aura mechanic.

Next is the Bard (Skald). And ... where do I start? They're so ... weird! First, the book suggests giving all Bards (including the PHB2 ones) some new Signs of Influence which are out-of-combat perks demonstrating how socially awesome they are. It's something I'd rather leave to role-playing, but it all looks handled well. And then ... well, jeez. Their Leader mechanic is an Aura 5. Instead of you using Minor actions for it, you and your allies in the aura can take their healing on their own (or give it to an adjacent ally) with a Minor action. They get two Dailies at every Daily Attack level, but rather than prep one like a Wizard, they pick what they're using at the time. (Song of Rest and Skill versatility are still here, ala PHB2.) Their Level 1 At-Will "Attacks" are Minor actions that give your allies in the Aura benefits when you hit with an MBA (for which you use Charisma instead of Strength). Their Encounter and Daily "Attacks" don't have actual attacks at all - they key off of other stuff, sometimes basic attacks, sometimes any attack with a weapon, and so on. Like I said, it's just weird and completely unlike anything we've seen so far in 4e. They straddle the line between a traditional class and a new essentials-style class. And, icing on the cake, there's a feat which lets PHB2 Bards switch from Majestic Word to the Skald's Aura if they so choose. Since all of these powers are Attack powers with a level, the Skald can freely poach from PHB2, and the PHB2 bard can poach from the Skald. There's a lot of brilliant mechanics here, but I have a feeling it will overwhelm some players! They look like they will play incredibly different from anything we've seen yet, and I'm more excited about them than any other option I've seen in 4e.

Next up is a third druid build. I don't care for the original Wild-Shape druid very much, but I love the Sentinel despite all its (many) warts. The new build - the Protector - is another controller, and the first real, true, dedicated Summoner class of the game. They don't wild-shape, but they do pick up either Primal Guardian or Primal Predator, much like the wild-shaper does. They get some nifty cantrips, like having little air spirits do their bidding. They all get a Controller feature which lets them make a zone of Difficult Terrain that has different effects based on their Circle. Most critically, they get uses of Summon Natural Ally instead of regular Daily attacks, letting them fill the battlefield with relatively self-sufficient summoned monsters from wolves to bulettes to ... tyrannosaurs? On the one hand, having your Dailies chosen for you can be rough. On the other hand, their summons look pretty great. Two of their new At-Wills - especially Magic Stones - will probably prove popular with druids of all shapes and sizes in the future. Otherwise, the powers are a healthy mixture of Controller and Leader stuff useful to all druids.

Finally, it's the Witch. Yep, it's YAFW (Yet Another "Friendly" Wizard). Because we apparently have to have a new Wizard build in every book, now. I'll give them credit for sticking to the theme - witches get Familiars and can bargain to trade out their Utility and Daily powers every extended rest by bargaining with their patrons - but it's still mostly a Wizard. You get a locked-in Encounter attack, but then you're a Wizard with a free familiar, and that's about it. The powers are geared towards either Transmutation (e.g. Foe to Frog), Enchantment/Charm, and a few Conjurations, but mostly it's yet another extension of the rather bloated Wizard spell list. It's okay, but I don't think Wizards need any more support for a while.

Okay, so themes! We have some great ones here, including the Fey Beast Tamer (aka, "You guys were all jealous of Sentinels' pets, so now you can all have them"), the Sidhe Lord (aka, "I come with a built-in bodyguard"), Tuathan (aka, "Everyone can change into animals now!), and Unseelie Agent ("Magic weapons? I make my own, thanks.") I think the beast tamer may be a chart-topper, power-wise, especially with their Level 5 Feature which basically makes their animals all have the Sentinel's Wolf's aura, but they're going to largely be restricted to classes who don't low-ball Constitution. Maybe. While I think having a pet owlbear or displacer beast is just awesome, it still feels quite power-creepy, letting everyone poach an entire class's defining feature. Also, with more summons and freely-available beast companions, the battlefield might get mighty crowded.

Then there's paragon path and epic destiny support for the new options. Not much to say here.

And then ... FEATS!

Several of the new feats are "interoperability" feats which let the new options and old options play well with each other. For example, Protector Druids can snag Wild Shape and the ability to take normal Dailies. Bards can swap Majestic Word for Skald's Aura. In addition, there's some stuff I don't know if I ever expected to see much of again - class- and race-specific feats, for two. Paragon-tier feats, for another. It's like taking all the good stuff from the PHB series and mixing it with the innovative design of the Essentials line, and I love it.

As expected, there's a section with new Items and "Fey Gifts." I think I've rambled on enough already, so I'll just note that I love alternative rewards as a DM, and it never hurts to have more!

Oh, and to close things off, there's a Building Your Story section which I mostly missed on first read - I missed the first page, and it all looked like fluff to me. It's ... not, exactly. It's again, very neat and radically different from anything in previous 4e books - it's basically phased, background-oriented character generation which starts from your upbringing, moves to your region, and includes events from your earlier life. It's specific to the Feywild, which is expected, but I wouldn't be surprised to see it for the generic Nentir Vale setting in an upcoming Dragon. It's extremely innovative, and makes for an awesome way to start a new campaign with established and interesting characters.

9 of 10 people found the following review helpful.
Once upon a time...
By Michael J. Tresca
Faeries are the new vampires. If you need any evidence, just take a look at the two new television series, Grimm and Once Upon a Time, and the avalanche of Snow White-related movies on the horizon. This makes Heroes of the Feywild's (HOTF) debut perfectly timed. It doesn't hurt that my alias, Talien, is based on a character from a MUD who was a satyr paladin. Heroes of the Feywild lets you play a satyr. Not a half-satyr, a SATYR. It was love at first pan flute.

4E critics who believe that every splatbook is just a big pile of stat blocks will find evidence to the contrary in HOTF. There's several pages dedicated to backgrounds, Feywild lands, attitudes of characters from those lands, and plenty of fairytales. Every story begins with "Once upon a time..."

HOTF has three themes it returns to repeatedly: fey, storybook, and savagery. The fey part is easy - they don't call it Feywild for nothing - and everything, from the artwork to the descriptions of the various lands, drips with faerie politics. The pixie race and the character themes of Sidhe Lord, Tuathan, and Unseelie Agent all flesh out the fey world in game mechanics. There are even fey magic gifts that can act as alternative rewards to magic items.

On the savage side, there's plenty here. For those old enough to remember, Dragon Magazine #109 debuted the half-nymph and half-satyr, and the new hamadryad and satyr races bare more than a passing resemblance to these early incarnations. There's a berserker path for barbarians, a skald path for bards, and a protector (rather uninspired name) for druids. The paragon paths and epic destines continue these savage concepts - who doesn't want to become a Witch King?

The storybook side is really where HOTF shines. The narrative makes it clear that HOTF is as much about telling a good story as it is about making any sense, and the witch path for wizards reinforces the fairytale nature. It even has a nod to Pan's Labyrinth in the form of a 22 Satyr utility power, Channel the Unseelie. In addition to the aforementioned stories sprinkled throughout the text, Chapter Five features Build Your Story, a random background generator. The player rolls for his background (which can include cruel foster parents, natch) and makes skill checks along the way. The player reacts to the circumstances in a mini-solo adventure of sorts, but it also acts as an excellent means of incorporating the rest of HOTF's rules into a character.

In short, HOTF has everything you could want from the Feywild and adds some things you probably didn't think of.

6 of 7 people found the following review helpful.
A review for Essentials players without core rulebooks
By BSW
This review is directed towards those of you who, like me, decided to begin playing D&D for the first time and only use the Essentials line because it is simplified/easier for beginners and is more current/updated game mechanics. Many people who are D&D veterans or began playing with the core 4th edition rulebooks do not like Essentials. As such, they were disappointed when Heroes of Shadow was released under the pretense that it was useful to both Core and Essentials players, but was really more directed towards Essentials. Heroes of the Feywild has done a much better job at making the book for both Core and Essentials player, which has made the Core players happy. Despite that I really like this book, I must make a complaint that it is different from the other "Heroes" books and caused me some concern. This review will primarily deal with my complaints about the way character classes are set up. The first three "Heroes" books took you through each level for your class and told you exactly what you would get. HotF does not do that however. It gives you the setup for the first level, then powers for levels 1-30, and then directs you towards a chart in the back of the book that is to be used for all four character classes in the book. This is at first unsettling because it makes you think that each class follows a similar pattern. It is also concerning because some levels tell you to replace one of your old encounter or daily attacks for a new one. You think, "I never had to get rid of powers and replace them before! Do I get less powers than other characters?" After do some calculations and reading each class in detail I realized this wasn't true, and so I'll clear some things up. Here's what I found: The Berserker does follow the chart and you must replace 8 encounter and daily atttacks (4 of each) during his paragon and epic levels. The Witch follows the pattern as well but gets three cantrips in addition. The Protector follows the pattern but doesn't replace daily attacks because the only one he gets is summon natural ally (which can be used more often as you gain levels). The Skald does not follow the pattern, however. He is exempt from having to replace his daily attacks but is limited to how many he can use per day. I'm not sure why they created a chart if there are exemptions to it.

To answer the question of whether these classes are less powerful than the classes of the previous "Heroes' books: No. In fact, even with the replacement of old powers, these classes end up with more powers than the ones of other books. You see, the classes from the other books don't get powers on almost every level like these do. Half the time, they features with benefits, bonuses, or improvements to powers. The new classes do not get any of these from levels 2-10. The new classes also have better distributions of at-will/encounter/daily/utility powers. The classes from the other books follow one of two patterns. Martial characters typically get some at will and encounter attacks at level one and then a load of utility powers afterwards. Arcane, divine, and primal characters usually get a few at-will and encounter powers at first level and then daily attacks and utilities afterwards. I am not an expert at D&D but don't think you have to worry about these classes being less powerful. I suspect that WoC set the book up this way so that core users could pick powers from the new classes without having to deal with a restraining Essentials subclass build. I personally am used to and like the Essentials builds, rather than having to look at a chart, then a list of powers, then the paragon path (which is totally separate from the classes and then a epic destiny which is either in this book (after the paragon paths) or in another "Heroes" book.

I also am not crazy that instead of putting in character options for the classes of previous books (like HoS did), they put in character themes, which I think may overpower a character. I do not like the Fey Beasttamer because you have a choice of only four monsters and I think it seems out of place unless you have the Martial Power book with the natural Beasttamer Ranger. The Sidhe Lord and Unseelie Agent give you some pretty powerful additions to your character (I'm worried all my players could choose to be a Sidhe Lord because of it.) I like the Tuathan except that it is only directed at humans and half elves and you can only shapeshift into tiny animals. There are also some good feats in this book (except the ones that don't apply to people who haven't bought any core books [I'm looking at you Gnome, Wilden, and Multiclass feats]). Some of the coolest feats are the Familiar feat for any arcane class to get a Familiar (and a list of familiars) and the feat that lets Protectors have the Wild Shape power (and it reprints the power for you), as well as the Two-handed weapon feat for people who want to use those poorly neglected polearms.

The book also has a lot of items but they left out instruments for the Skald (Guess I'll have to buy Mordenkainen's Magnificent Emporium?). One last comment, this book has a lot of stuff that is useful if you are running a homebrew campaign in the Feywild or are playing the current Encounters campaign at your local hobby shop (neither of which I am doing). Thus, I feel like all the many pages dedicated to the places of the Feywild (which makes the HoS book look empty) and the character background story creator are kind of useless to a player who is using published adventures and unfair to characters who want to create a non-Feywild backstory. Despite this, I think this is a really useful book for creating character diversity in you campaigns.

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Rabu, 15 Mei 2013

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Understanding Anesthesia Equipment (Dorsch, Understanding Anesthesia Equipment), by Jerry A. Dorsch MD, Susan E. Dorsch MD



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Understanding Anesthesia Equipment (Dorsch, Understanding Anesthesia Equipment), by Jerry A. Dorsch MD, Susan E. Dorsch MD

The "Bible on Anesthesia Equipment" returns in a new Fifth Edition, and once again takes readers step-by-step through all the basic anesthesia equipment. This absolute leader in the field includes comprehensive references and detailed discussions on the scientific fundamentals of anesthesia equipment, its design, and its optimal use. This thoroughly updated edition includes new information on suction devices, the magnetic resonance imaging environment, temperature monitoring and control, double-lumen tubes, emergency room airway equipment, and many other topics.

Readers will have access to the fully searchable online text and an interactive quiz bank at a companion Website.

  • Sales Rank: #423057 in Books
  • Brand: Brand: Lippincott Williams Wilkins
  • Published on: 2007-10-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.25" h x 8.50" w x 1.75" l, 5.96 pounds
  • Binding: Hardcover
  • 1056 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

4 of 4 people found the following review helpful.
Necessary But Could Be So Much Better
By Jacob and Kiki Hantla
Dorsch and Dorsch's Understanding Anesthesia Equipment is simply the most thorough book on anesthesia equipment out there that I am aware of. You will find most of the general basics of anesthesia equipment in Barash's Clinical Anesthesia and even more summary books like Stoelting's Basics of Anesthesia) and Morgan & Mikhail's Clinical Anesthesiology. Nevertheless, those books tend to not give you the ins-and-outs of all of the various equipment out there. Dorsch & Dorsch provide very detailed information ad nauseum. However, the endless black-and-white diagrams and black-and-white photos (though it appears very accurate) make the book very difficult to find the precise information that you are looking for. And the black-and-white diagrams tend to be much more difficult to understand than is necessary. For a book that has been through so many revisions and costs well upward of a hundred bucks, I would expect some color photos and some better constructed color diagrams.

The book does seem thorough, but is simply so much more difficult to use than it needs to be. Using Dorsch & Dorsch as a base text, we are strongly in need of a full revision aimed at formatting, photo, and diagram revisions.

The website included in the book offers a searchable text and a test bank. The search engine on the text is poor and very difficult to use. I find myself going to the chapter of interest and using a ctrl-f browser-based search of the page. The online quizzes are the exact same as is found at the end of each chapter. I have taken about half of the quizzes and have found errors in the online-based quiz bank in approximately half of those that I took. In need of some quality control. Nevertheless, I am appreciative of the online access to the text.

9 of 9 people found the following review helpful.
Disappointed
By Thomas A. Mc Hugh
I am sad that this will be the last volume by authors I have relied on since I began in anesthesia in 1981. This is my third purchase of one of their works but I must say that I am dissappointed. Much of the charm of earlier editions (I own 1st and 4th) seems to be missing and there seems to be a reliance on manufacturer's supplied illustrations. Explanations and diagrams seem to come directly from the manufactuer.

That being said I would still recommend this book to students (both SRNAs and Resident physcians)as a required text. This book will alow you to be competent to trouble shoot a system while waiting for BME to arrive,or for you to feel confident to swap a machine in the middle of a case. It gives you a familiarization of much adjunct equipment before you use it the first time. It apprises you of possible hazards and deals with evnvironmental issues in anesthetizing locations.

Not their best work, but have not seen anyone else consistently cover this topic over the span of their work. A replacement will be hard to find, and future practitioners will suffer with their retirement.

0 of 0 people found the following review helpful.
if you want a "tell all"
By bren.bren
this is definitely the book to give you everything you need to understand anaesthesia equipment
its a "stay at home book" tho
big and heavy
the pages are not as easy to read since its all black and white and there's alot of material to read plus the pictures are not as many as i would have liked
but still a very good book
glad i got it for my residency
always on top of my info because of it

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