Minggu, 05 Mei 2013

[W131.Ebook] Ebook Free Teach Like a Champion 2.0: 62 Techniques that Put Students on the Path to College, by Doug Lemov

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Teach Like a Champion 2.0: 62 Techniques that Put Students on the Path to College, by Doug Lemov

Teach Like a Champion 2.0: 62 Techniques that Put Students on the Path to College, by Doug Lemov



Teach Like a Champion 2.0: 62 Techniques that Put Students on the Path to College, by Doug Lemov

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Teach Like a Champion 2.0: 62 Techniques that Put Students on the Path to College, by Doug Lemov

One of the most influential teaching guides ever—updated!

Teach Like a Champion 2.0 is a complete update to the international bestseller. This teaching guide is a must-have for new and experienced teachers alike. Over 700,000 teachers around the world already know how the techniques in this book turn educators into classroom champions. With ideas for everything from classroom management to inspiring student engagement, you will be able to perfect your teaching practice right away.

The first edition of Teach Like a Champion influenced thousands of educators because author Doug Lemov's teaching strategies are simple and powerful. Now, updated techniques and tools make it even easier to put students on the path to college readiness. Here are just a few of the brand new resources available in the 2.0 edition:

  • Over 70 new video clips of real teachers modeling the techniques in the classroom
  • A selection of never before seen techniques inspired by top teachers around the world
  • Brand new structure emphasizing the most important techniques and step by step teaching guidelines
  • Updated content reflecting the latest best practices from outstanding educators

With the sample lesson plans, videos, and teachlikeachampion.com online community, you will be teaching like a champion in no time. The classroom techniques you'll learn in this book can be adapted to suit any context. Find out why Teach Like a Champion is a "teaching Bible" for so many educators worldwide.

  • Sales Rank: #1539 in Books
  • Published on: 2014-12-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .90" w x 7.00" l, 1.74 pounds
  • Binding: Paperback
  • 504 pages

Review

“Doug Lemov is also essential reading for anyone who wants to create a safe learning space for children of all ages by building up habits that will support success throughout school and beyond” (Time Education Supplement, August 2015)

From the Back Cover

Achieve classroom greatness with updated Champion techniques

Teaching is one of the most important jobs in the world and often one of the hardest. Excellent teachers continually strive to learn and improve their craft, and no matter how good a teacher is, there's always room for improvement. Teach Like a Champion became a global bestseller because it offered concrete, engaging, easy-to-implement techniques teachers could use to keep their students engaged, focused, and learning. Teach Like a Champion 2.0 compiles the feedback gathered from real teachers in real classrooms around the world to deliver an updated set of techniques, made even more effective by the continual fine-tuning of daily classroom use. Effective and informative for both new teachers and classroom veterans, Teach Like a Champion 2.0 describes how to:

  • ADJUST CLASSIC TEACHING TECHNIQUES TO BE EVEN MORE EFFECTIVE
  • IMPLEMENT ENTIRELY NEW TECHNIQUES THAT KEEP STUDENTS ON TRACK
  • TRANSLATE THEORY INTO ACTION WITH VIDEO DEMONSTRATIONS

"Teach Like a Champion 2.0 made me a better teacher. The rigor, depth, and applicability of each technique Doug shares immediately allowed me to improve the teaching I do with school leaders, teachers, and kids. TLaC 2.0 builds seamlessly from the first edition—going deeper on some key concepts and introducing us to a host of new methods."
—Dave Levin, cofounder, KIPP

"Like the fantastic teachers who have informed this book, author Doug Lemov is never satisfied and is constantly pushing himself and others to a higher and higher level. Teach Like a Champion 2.0 is a must-read for those in pursuit of ensuring their students learn at the highest levels, including those who read Doug's first amazing book!"
—Wendy Kopp, founder, Teach For America; chief executive officer and cofounder, Teach For All

"I love two things about Doug Lemov and the Uncommon Schools team: a relentless focus on student learning, and a dedication to the proposition that the best professional development occurs when teachers learn from teachers. The pages of Teach Like a Champion 2.0 are imbued with both ideals."
—Daniel T. Willingham, author, Why Don't Students Like School? and When Can You Trust the Experts?

About the Author

Doug Lemov trains educators at Uncommon Schools, the nonprofit school management organization he helped found. He holds a Bachelor of Arts from Hamilton College, a Master of Arts from Indiana University, and an MBA from Harvard Business School. He is also the author, with Erica Woolway and Katie Yezzi, of Practice Perfect: 42 Rules for Getting Better at Getting Better.

Most helpful customer reviews

23 of 24 people found the following review helpful.
0) is by far the better of the two
By Lupa
I read TLAC 1.0, and this edition (2.0) is by far the better of the two. And that's saying a lot, because I also loved the first as well. It offers an even deeper exploration of techniques that really help increase rigor, including several new techniques for writing (Art of the Sentence and Show Call were my favorite). Even when the book tread on topics I was familiar with, I didn't feel like I was rereading the same book at all (Systems and Routines, Ratio, and Checking For Understanding get HUGE upgrades). The clips were also great companions to the book. I was a little hesitant at first because I thought I was going to get the same as 1.0, but 2.0 is so different and in all the best ways. I'm really glad I read it, and I can't wait to use these techniques in my classroom!

15 of 16 people found the following review helpful.
A Must-Read Resource for Educators
By ST
One impediment to change in any situation or field is that we tend to hesitate to believe in things we haven’t seen with our own eyes. Sometimes when you want to solve a problem, the solution doesn’t exist. But sometimes it does and you just haven’t seen it yet. For example, maybe you still believe achievement gaps aren’t closeable.

To this point, Doug Lemov’s TEACH LIKE A CHAMPION 2.0 makes this argument: “We are not suffering from a lack of solutions so much as our failure to learn from teachers who have generated insight and put their ideas to work.” Achievement gaps are closeable, and this book, a follow-up to his 2010 bestseller, TEACH LIKE A CHAMPION, describes 62 techniques that have been demonstrated to help.

This new version is not merely some lightly-ruffled second edition. Doug and his colleagues have spent the past four years vigilantly researching what he calls “champion teachers,” looking for additional clues about what makes them successful. For instance, he has added a whole new section on checking for understanding and how to build a “culture of error”—an environment in which it’s safe to be wrong. As he rightly points out, “If your goal is to find and address the mistakes your students make, your task is far more difficult if your students seek to hide their errors from you.” So he explains how to solve that problem. He has also expanded the original technique called “Ratio” into several chapters that focus on how to strengthen student engagement and rigor (what he calls “participation ratio” and “thinking ratio”)—by building ratio with questioning, writing, and discussions.

Doug addresses many important concerns that teachers have, whether they’ve been in the field for 20 minutes or 20 years. And his writing is crisp, clear, and humble. He knows this is hard work, and he’s doing everything he can to help. Last but definitely not least, in addition to refining his previous ideas and developing new ones, he includes 75 video clips.

So we can see things for ourselves.

Sarah Tantillo, Ed.D.

53 of 65 people found the following review helpful.
Understanding Teach Like a Champion I'm currently in the process of reading ...
By Margaret Robertson
Understanding Teach Like a Champion
I'm currently in the process of reading Teach Like a Champion 2.0. I'm reading it because it is one of the "go to" books shared via Relay Graduate School of NYC, and unfortunately, their work is being spread far and wide here in Colorado in many of our districts, including mine. We are at a very precarious time in public education - our work as educators is being stripped from our schools and replaced by non-educator think tanks who pride themselves on high test scores. Teach Like a Champion 2.0 is written by Doug Lemov. I'll let you read more about him here. Ultimately he is not an educator, but has great experience within the world of charter schools. He has two degrees in English and one in business. He is a corporate education reformer. Period.

To be honest, after reading over 100 pages of the book (there will be a follow-up blog when I finish reading the entire book), I have to say it's incredibly shallow and simplistic - yet the scary part is the dictatorial demand to keep everything shallow, uniform and simplistic. And as mentioned above, Lemov's beliefs about "teaching like a champion" are beginning to co-opt what true educators really understand about teaching, child development, and engaging learners. This book is a great primer for reducing learning to uniform and robotic student behavior which is easy to "track" (Lemov's word - not mine) and manage, in order to get the results that you want. And the results that they want are high test scores. Lemov is clear in stating that this work is gauged via state test scores.

True learning is incredibly messy, but with an inherent structure in place to support the messiness. Those of us with vast experience in public education know this. And we also know that in order for true learning to occur, we must embrace the messiness, while all along keeping a structure in place to allow for the ebb and flow of learning. We create routines and structures, with student input, to foster an environment which supports student engagement, student learning styles and interests, all the while making certain that our teaching is developmentally appropriate and meeting the needs of each learner. If we have the necessary resources, the autonomy to teach, and a class size that allows for us to address each child's needs - amazing things can happen. If children have food, healthcare and books in their home we can move mountains. However, in this day and age - having everything necessary for all public school children to thrive mentally, physically, academically and emotionally - is rare, if not non-existent.

My experience includes teaching almost all grades Pre-K - 6 (never got to teach third!), serving as a district literacy coordinator, serving as a literacy coach, and working as an educational consultant. I have supported the development of principals and teacher leaders across Colorado and I have worked with teachers nationwide to support their understandings of literacy instruction. I am currently a literacy interventionist in my 19th year of teaching.

In the 90's I had great autonomy to teach. The inquiries and projects my students completed would not even be possible under today's testing conditions. Several of my classes opened restaurants - we literally opened a restaurant in our classroom and charged for meals. We designed the restaurant, shopped for the ingredients at the grocery store, and we made the pasta from scratch in our classroom. Students applied for jobs at the restaurant. We took reservations for parents and district staff to come and eat! Another example was with a sixth grade class in which we created a partnership with a nursing home. Each sixth grader had a friend at the nursing home where we visited weekly to plant flowers, read, sing, and develop relationships with these women and men at the home. The sixth graders interviewed their friends, researched the corresponding time period, and wrote biographies. I had a fourth grade class who researched activists across the country who were making changes in their communities. These students really wanted to know how they could give back to the community. We created our own service learning project and gathered food for food banks and worked at the food banks and served at a soup kitchen. We canvassed the neighborhoods gathering canned goods and other items to support families in need. I had other classes who raised money to end landmines that were harming children - we researched these countries and read about the impact on children and created a public campaign to end the landmines. What is interesting about all of these inquiries and projects is that we could connect them to every facet of our day - math, science, social studies, language arts, music, art, and on and on. Those are just a few of the learning opportunities my students had.

I share my experiences because they are important in understanding what education can and should look like. Teaching and learning should not be uniform and defined within a box. Education begins with the students in the classroom, and we then build our curriculum around the students' strengths, needs and interests. Teachers each have their own talents, their own quirkiness and their own passions which influence their teaching. Students also have their own talents, learning styles and interests which influence how a class takes shape over the year - if indeed we wish for education to be truly intrinsically engaging and purposeful for students. Every classroom is unique - if indeed we are focused on equity for our students and their learning. Education that is standardized and is top down ultimately is dumbed-down.

Teach Like a Champion 2.0 is focused on uniformity. Lemov discusses the idea of standardized formatting for worksheets and note-taking. It is my experience that learners find that certain formats work for them and others don't. I always share a variety of styles for note-taking with students and ultimately I let them pick what works for them as it's important that they are able to begin to discern how they learn best and what tools will best support their learning. Classrooms must be equitable. In order to be equitable we must discern what is just and right for each student. We cannot demand all students use a tool if it does not meet their needs; this is why we have notebook paper with narrow lines, fat lines, no lines at all. This is why we have fat pencils, thin pencils, and pencil grips. This is why we want children to pick and choose their independent reading books. Uniformity ultimately destroys any chance of equity - again, considering what is fair and just for each individual student. At times do we all use a particular format - or process? Of course! But uniformity and standardization do not drive the learning - students do.

Lemov is very interested in teachers being able to quickly see the answers students are writing as they walk around the room - this is why he prefers standardization of note taking. Efficiency, mastery and getting it right is key. On page 19 Lemov states that the purpose of order in the classroom is to promote academic learning. I think the purpose of order in a classroom is to create a space which is safe and inviting for student's social, emotional, physical and academic learning. Physically I want my students to be comfortable so that they can learn. I want them to be able to move around the room as needed to meet their personal needs. Of course, understand it's not a free for all, children aren't running willy nilly around the room - but they do stand if needed or cross their legs in their seats, and at times they spread their work out on the floor if that is the best space for their learning to occur. Couches are a wonderful place for children to read and work. My students can have a very carefully articulated plan for the day as they maneuver around the classroom as needed to learn, as they get the necessary supplies, and or converse with the necessary people, to do their work at hand. We work as a community and develop spaces within the room to support our work as a whole group, small groups and as individuals. We trust one another.

In contrast, Teach Like a Champion classrooms are typically rows of desks and the instruction videotaped is always whole group instruction, in which the teacher asks a question and a student answers. So, if you were diagramming the conversation in the classroom on paper it would be straight lines from teacher to student - starting at focal point (the teacher) and spreading out like a fan. Ultimately if you are wishing for a rich conversation that thrives on student talk you are looking for a diagram where the lines intersect. So, the teacher might talk, then a student, then another student responds, and another, and then back to the teacher...so forth and so on. A classroom in which the teacher asks a question and pops from student to student is very dictatorial and ultimately lacks richness and depth of learning - if the teacher is continually directing the discussion then how do we know what the students are thinking and wondering? Of the 46 videos I have watched so far the questions the teachers ask are pretty basic - questions about defining a word, a sentence starter - there are some deeper questions asked at the high school level, but the arrangement of the lesson and the classroom makes it truly difficult to really have a deep, rich conversation which builds and ultimately engages the learners in a way that develops student strengths and empowers their individual voices. There is definitely not space for individuals to come together to share and build a greater and bigger idea or thought as a result of student sharing.

I have yet to see any classrooms with tables. Tables are wonderful for classrooms where we value community, conversation, and working together. Out of the 46 videos I have watched so far I have seen only two tables for two small groups of children. I have 29 videos left to watch.

Out of the 46 videos I've watched I've seen 12 teachers smile and/or laugh and 6 students smile and/or laugh. Out of the six students who smiled or laughed 3 out of the 6 were due to a child having difficulty answering a question and/or making a mistake when answering. In the videos, when a student talks in the classroom, it is only a result of the teacher allowing the student to talk. In terms of what "talk" looks like, it takes form as a direct answer to a question from the teacher, popcorn reading (where the teacher calls on students to read a portion of a text - always a fun and relaxing strategy for readers who struggle), and 4 videos which showed a brief moment where children were allowed to partner talk (simply turning to the person next to you to converse). Another form of talk that takes place occurs when the teacher requires the entire class to repeat something in unison - there is a lot of parroting back what the teacher says.

There was one video - out of 46 that I have watched - in which a child showed some emotion and said "Oh!" as he raised his hand in excitement to answer a question. There is very little, if any emotion displayed, within any of these videos. When children are forced to comply with such great constraints and boundaries I can imagine that after awhile the emotion is beaten out of them. There are some teachers who exhibit some emotion and kindness, but the children are only allowed to exhibit any kindness to their peers in the form of hand signals or a statement of encouragement shouted in unison as a whole class. On page 11, Lemov points out that a child smiles in a video in which the teacher asks them to pass out papers faster. As Lemov explains how the students are passing out papers quickly in order to increase time for learning in the classroom he states, "The students, by the way, are happy as can be. They love to be challenged and love to see themselves improving. They are smiling."

Students love to see themselves improving at passing out and collecting papers? *sigh* Such an insult to the children. But I'll move pass that and talk about papers for a minute.

The videos are full of papers. I get that there is a lot of paper in classrooms, but these papers in the videos typically come in the form of worksheets and packets - seat work. I found it interesting that when they read passages from a text they didn't have actual books in front of them (based on what I've seen so far) -they typically had a worksheet.

On page 12 Lemov states, "Few schools of education stoop to teach aspiring teachers how to train their students to pass out papers, even though it is one of the most valuable things they could possibly do."

Wow. I don't even know what to say to that. Perhaps the best thing to say is that that statement pretty much exemplifies the depth of the entire book. Honestly, reading the book and watching the videos is terribly depressing.

The sections I have read in the book so far deal with getting students to answer questions and making sure that the answer is (god I hate this word) "rigorous." Students must answer questions and if they can't answer the question they must repeat the answer after another student or the teacher gives the answer. At one point in the book (p.92) he shares an example of a student who doesn't parrot back the answer and he states that the child will have to come in at recess because this is a "case of defiance." So - not "parroting" back an answer is defiant? Defiance is defined as a daring or bold resistance to authority or to any opposing force. I personally wouldn't parrot it back because I'd find it insulting. I'm not a dog who needs to repeat a trick in order to be "trained." If this is considered defiant I fear for the child who feels the need to scream and throw these worksheets in the trash.

In regard to rigorous - there is much discussion about "rigorous" content. On page 84 Lemov discusses how it saddens him that Diary of a Wimpy Kid is one of the most read titles in sixth grade. It is not considered rigorous enough. He obviously has not read the research on pleasure reading. But again, he is not a true teacher, so that is to be expected.

There is lots of discussion around errors. I always find this to be a fascinating pattern within books by non-educators. They focus on the negative. I have always used students' strengths to build on their attempts and next steps. However, in this book the focus is on creating a culture of error where students feel comfortable making errors and teachers scan for evidence of "incomplete mastery." I agree that students should feel comfortable taking risks in a classroom, but his concept of error and getting it "right" are so different than mine. In a democratic classroom we take risks continually, and when we problem solve and figure it - often together - it's a process of learning versus this idea of searching for the errors and getting it right. I believe that the process of learning is full of risks and ultimately, NOT necessarily the right answer, but perhaps......another question?

Lemov uses the word "tracking" a lot. Teachers track students, rather than "watch" students and students must track the speaker. It really feels a bit like hunting when watching the teachers "track." They are looking for specific answers and they will hunt the answer down until they get it. There isn't a sense of students really ever working together to problem solve and/or determine some finite answer (this is very much about finite answers) - it's more that the teacher directs the hunt until he or she hears or sees the answer. It's very much whole group instruction with individual seatwork to determine "mastery" of the direct instruction. The definition of "tracking" is different for students. When the students track, they literally must shift their whole body to face the speaker - it's a rather robotic movement to observe. I think about sitting in meetings and how teachers respond when someone speaks - I don't believe I've ever seen an entire group of adults literally shift all their bodies to turn and listen to someone speak - and I definitely haven't seen it happen in unison.

There is a lot of unison in body movement and speech. Some of the teachers snap their fingers to demand all students say a word at the same time. Teachers will ask all students to repeat something like, "adverbs end in -ly." There were some moments where children were reprimanded and you could hear the teacher saying quietly "Laughing is ten dollars." or "I'll call your mother." If I were a child in one of those classrooms I would positively have exploded under the pressure of keeping my body still and my voice still. All students must be sitting up very straight. Many classrooms have the students folding their hands on the desk at all times - and if they raise their hand, they very quickly rush the hands back to folded position when they are done answering the question. When students raise their hand they are praised for how high and straight the arm is. If they praise a student they will often ask the whole class to repeat a phrase like, "Way to go, you!"

I can't sit still for more than ten minutes in a meeting before I must shift my body. If I am required to sit still for too long I ultimately feel very agitated. I wonder how the children feel? And how does this impact how they act when they are finally able to leave school?

All the classes are mainly children of color in the 46 videos I have observed so far. Out of the 46 videos there was only one video in which the children did not wear uniforms. I wonder, where are the wealthy districts in suburbia in these videos? Has this been tried out at Sidwell?

There are all sorts of whole group movements like banging on the desk or doing rock paper scissors all at once to determine an answer to a multiple choice question. Hand gestures are used continually to replace actual speech.

I have grave concerns about this book being used in any school as a model of techniques which support student learning. The fact that I have to explain this in a blog clearly signals a very sad period of time in the history of public education in our country. There is no room for student learning styles in terms of how students sit, talk, or process their learning using these techniques. There is no respect for culture - some children come from cultures in which eye contact is actually disrespectful. There is no respect for specific learning needs of children - what about the child who does not process quickly, yet is required daily to participate in the gut wrenching practice of cold calling (in which a teacher rapid fires questions at random children with no think time for the child). These strategies are absolutely detrimental to the second language learner or the child with learning disabilities as there is no scaffolding or additional supports to meet their needs. Children will simply become compliant or..... they will revolt, and then, they will be asked to leave the school. We must remember, few charter schools accept all children and these techniques come straight from charter schools. Charters are also excellent at counseling children out of the school. There is not a single video I have observed yet that shows children independently moving around the room. The children move like robots and the teachers dictate their every move.

Lemov believes that all these techniques create efficiency and therefore better use of time for students to reach "mastery." What I observe is a large amount of time wasted parroting motions and words that require minimal thinking but 100% compliance. I do not observe any authentic learning. The children are expressionless. In a classroom of vibrant learning you can feel the buzz and hear the buzz of learning. These classrooms feel more like boot camp.

As an educator I have a vast array of approaches I use to support children. My bachelor's is in Elementary Education and my master's is in English as a Second Language, so I understand clearly the many scaffolds and teaching methods that can be used to meet the needs of a diverse group of students. Yet, in these videos of diverse classrooms, the only approach I have observed is whole group direct instruction.

Where are the chatty children who are engaged in learning as they lean over a project or book? Where are the smiling children? Where are the excited children who are bubbling over with information about their learning, their friends, their family and their school? And where are the sad children who need the extra moment to talk quietly with the teacher about how they were up all night due to a parental fight? The children have no emotion. After watching 46 videos of children with absolutely no expression on their faces - minus only six children who let out a brief smile or laugh - I literally wanted to cry.

There is a reason I am absolutely livid over this book. There is a reason I am angry that Colorado - and the rest of the country - is allowing this book and the Relay Graduate School to infiltrate their schools. When I read the book and watch the videos, all I can think of is fascist, racist times in history in which children were harmed. Corporate education is devouring our children - specifically - our neediest children. It is gut wrenching to watch the students in these videos. I know what is possible in a school community - a school where vibrant learning occurs and students and teachers are engaged - with purpose, passion and humanity. Sadly, the strategies in this book adhere to very direct instruction and dictatorial behavior models which strip children of their identity and culture - all in the name of high stakes tests scores. There is no equity here. There is no justice for children.
http://www.pegwithpen.com/2015/09/understanding-teach-like-champion.html (see blog post for embedded links)

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The Contemporary British History Play (Contributions in Drama & Theatre Studies), by Richard Hudson Palmer

British drama since 1956 has been particularly innovative. This volume investigates how recent British history plays reflect the methods and values of New History, in contrast to traditional biographical dramas that depict the lives of great men of the past. More than 50 British playwrights are discussed, including John Osborne, John Arden, Edward Bond, Robert Bolt, Pam Gems, Howard Brenton, Caryl Churchill, Howard Barker, and Peter Shaffer. Historical drama consistently displays the sense of history prevalent when it was written: a 17th century quest for precedent and analogy; the affirmation of cosmic order in the 18th century; the Romantic search for manifestations of spiritual purpose; in Victorian times, a demonstration that humans control events; and the early 20th century promise, emulating science, to present the facts objectively.

Contemporary British history plays, however, demonstrate different agendas for history itself. Marxist plays illustrate a historical dialect leading to the emergence of Communism. Oppositional history takes the point of view of the disenfranchised, the defeated, or the oppressed. Social histories refocus attention away from movers and shakers onto groups of small players. Feminist historians expose the biases of a male dominated hegemony and confront the role of gender in history. Deconstructionists debunk our confidence in historical metanarratives. Postmodernism uses anachronism and stylistic eclecticism to emphasize parallels in different historical periods or to relate historically defined metaphors and rituals to modern experience. Both playwrights and critics confront the implications of the idea that history is constructed and not simply found, and new approaches to history demand innovations in the staging and structuring of plays.

  • Sales Rank: #6007819 in Books
  • Published on: 1998-06-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .75" w x 5.98" l, 1.45 pounds
  • Binding: Hardcover
  • 272 pages

Review
"The Contemporary British History Play is an efficient and thoughtful treatment of the manu uses post-war playwrights have made of history. Palmer's solution to the problem of defining the genre is quite satisfying; it is good to get beyond that silly debate and on to more substantial matters. Finally, since even seasoned scholars are likely to encounter playwrights new to them here, perhaps some less visible writers will receive critical attention."-Modern Drama

?The Contemporary British History Play is an efficient and thoughtful treatment of the manu uses post-war playwrights have made of history. Palmer's solution to the problem of defining the genre is quite satisfying; it is good to get beyond that silly debate and on to more substantial matters. Finally, since even seasoned scholars are likely to encounter playwrights new to them here, perhaps some less visible writers will receive critical attention.?-Modern Drama

About the Author

RICHARD H. PALMER is Professor of Theatre at the College of William and Mary, where he balances an interest in theatre history and literature with practical work as a stage director and designer. His specialty in theatre aesthetics encompasses topics ranging from stage lighting to dramatic theory. His previous books include The Lightening Art (1994), Tragedy and Tragic Theory (Greenwood, 1992), and The Critics' Canon (Greenwood, 1988).

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Sabtu, 27 April 2013

[E426.Ebook] Ebook Didier Drogba: The Autobiography, by Didier Drogba

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A controversial account of one of the most talented and unpredictable players in English football history, this intriguing autobiography documents Dorgba’s childhood spent in West Africa, an unsettling relocation to France, and his eventual rise to the highest echelon of football legendry. Detailing how the star player was brought to Chelsea by Jose Mourinho after success with Marseille in France, how he quickly became one of the most lethal strikers in the Premiership, and how he helped Chelsea to the highest success, this revealing memoir is about much more than just football, noting that Dorgba is a hero and political campaigner for peace in his native Ivory Coast.

  • Sales Rank: #2784570 in Books
  • Published on: 2009-08-25
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: .87" h x 7.64" w x 5.16" l,
  • Binding: Paperback
  • 256 pages

About the Author
Didier Drogba wears the number 11 shirt for Chelsea and Ivory Coast and is one of the most talented strikers in world football.

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This volume provides a comprehensive, state-of-the-art overview of the major issues specific to the field of antireflux surgery. It provides exceptional instructional detail regarding performance of antireflux surgery from leading esophageal surgeons around the world. This volume represents the only resource of its kind dedicated specifically to the issues unique to antireflux surgery. It is rich in detail and helpful illustrations that instruct surgeons in proper technique as well as presenting the reasoning behind various techniques. Written by experts in the field, Antireflux Surgery is of great value to practicing surgeons who perform gastrointestinal surgery, medical students, surgical residents, and fellows.

  • Sales Rank: #1327907 in Books
  • Published on: 2014-11-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.10" h x .80" w x 8.20" l, .0 pounds
  • Binding: Hardcover
  • 245 pages

From the Back Cover

This volume provides a comprehensive, state-of-the-art overview of the major issues specific to the field of antireflux surgery. It provides exceptional instructional detail regarding performance of antireflux surgery from leading esophageal surgeons around the world. This volume represents the only resource of its kind dedicated specifically to the issues unique to antireflux surgery. It is rich in detail and helpful illustrations that instruct surgeons in proper technique as well as presenting the reasoning behind various techniques.

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Regina de Aragón es una chica mayor de edad de un carácter bastante retraído. Vive en Mérida, Yucatán, una ciudad rica en tradiciones y que aún conserva viva su cultura, la maya. El día menos esperado, se topa con dos seres que transformarían su realidad en algo fantástico, siniestro y erótico. Estos entes como dioses, llamados Allers, se alimentan de sangre mortal y la han estado buscando por muchos años, desde la época de la conquista española a América. Ella no lo sabe, pero en su alma se esconde la reencarnación de una mujer de origen maya llamada Yatziri, quien fuera amante de ambos Allers. Nicolás y Marco no cesarán su empeño hasta hacerla caer en sus redes, y Regina se ve forzada a abandonarlo todo para estar a su lado y pertenecerles, a ambos al mismo tiempo. Esta es una obra crossover con tintes de romance paranormal y erótica que reta la mentalidad del lector. Los personajes son variados, cada uno con una personalidad muy marcada con la que el lector se sentirá identificado. Pone en tela de juicio las creencias sobre las religiones y la concepción del universo como una totalidad con sólo dos divergentes: la bondad o la maldad. Pero sobre todo, provoca cuestionamientos al lector que de otra manera no surgirían: ¿Es posible amar a dos criaturas al mismo tiempo? ¿Cuál sería el precio a pagar por vivir una realidad que no es comprendida en ningún mundo? ¿Se puede tenerlo todo, o los personajes terminarán sumidos en el tormento de sus pasiones? Es una combinación de leyendas mayas y catalanas, con un toque de vivencias sensuales, divertidas y excitantes.

  • Sales Rank: #10330287 in Books
  • Published on: 2013-09-26
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 9.00" h x .54" w x 6.00" l, .54 pounds
  • Binding: Paperback
  • 238 pages

About the Author
Mi nombre es Mariela Villegas Rivero. Soy escritora mexicana. Nací el 29 de enero de 1983. Estudié Licenciatura en Lenguas Modernas y ahora trabajo como maestra de una escuela secundaria en mi ciudad natal, Mérida, Yucatán. Comencé mi carrera en la escritura a los veintiséis años con mi primera historia, Luna Llena, una historia de romance paranormal basada en el libro Amanecer de la autora Stephenie Meyer, aunque convertida en algo distinto tiempo después. En estos años, me he dado a conocer alrededor de mundo por medio de las redes sociales y por pertenecer a varios blogs de corte literario, así como por mi participación en revistas literarias de varios tópicos. Soy completamente autodidacta y en mi opinión, cuando se tiene un sueño, no importa qué tan loco o imposible parezca, se tiene que luchar por ello, y me avoco a ello cada día. La inmortalidad se puede alcanzar mediante la trascendencia de nuestras ideas.

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By Mariela Villegas R
Regina de Aragón no es la clásica protagonista tímida y antisocial, aunque se describe a sí misma exactamente como eso. En esta historia se verá una variedad de personalidades en tres caracteres especiales, dos de ellos, seres que no pertenecen al mundo mortal. Es casi inevitable caer en la seductora mirada de Marco y en las dulces manos de Nicolás. Los lectores superarán sus expectativas.

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  • Sales Rank: #4877365 in Books
  • Published on: 2016-06-30
  • Original language: English
  • Binding: Hardcover
  • 768 pages

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[G405.Ebook] Get Free Ebook Romantic Country: A Fantasy Coloring Book, by Eriy

Get Free Ebook Romantic Country: A Fantasy Coloring Book, by Eriy

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Romantic Country: A Fantasy Coloring Book, by Eriy

Romantic Country: A Fantasy Coloring Book, by Eriy



Romantic Country: A Fantasy Coloring Book, by Eriy

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Romantic Country: A Fantasy Coloring Book, by Eriy

Magnificent rural villages, prairies, forests, lakeside scenery and a beautiful towering castle await you and your colored pencils in Romantic Country: A Coloring Book by Japanese illustrator Eriy, who uses an ink-dipped toothpick to draw each intricate design. Inside are pages and pages of provincial delights for you to bring to life through coloring: delectable French pastries, magical forests filled with wildlife, charming town squares bustling with people-and so much more, sure to delight people of all ages.

Perfect for fans of Secret Garden and Enchanted Forest, as well as those looking for a creative way to relax, Romantic Country: A Coloring Book will whisk you away to a black-and-white fantasy land that you can bring to colorful life.

  • Sales Rank: #17270 in Books
  • Brand: Macmillan Publishers
  • Model: 510589
  • Published on: 2016-03-01
  • Released on: 2016-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.88" h x .50" w x 10.00" l, .74 pounds
  • Binding: Paperback
  • 96 pages

About the Author
ERIY attended Musashino Art University in Tokyo and began working as an illustrator when in school. Now a freelance illustrator, Eriy uses a toothpick as her main drawing tool.

Most helpful customer reviews

111 of 114 people found the following review helpful.
A Charming and Whimsical Imaginary Country – printed on both sides of the page
By iiiireader
[[VIDEOID:5510720f65cdf188497b756adb3748b1]]“Romantic Country” is the imaginary country that artist Eriy created in her childhood. Based on these designs, it is a charming and whimsical land to visit. The artist named this land Cocot.

What is interesting about the designs is the back story on how the artist created them. Apparently, these were the first ink studies she had done and while she remembered to buy ink, she forgot to buy a pen! Being resourceful, she used what was on hand – a toothpick. Approximately 700 toothpicks were used to create the designs in the book. The unusual drawing tool gives the lines in the book a faded appearance and provides lines that vary in thickness. These add to the charm of the designs rather than detract from them.

The artist tells the story about the town at the front of the book and then follows up with a detailed description the subject matter of each design at the back of the book. The fantasy land (and the book) are separated by their areas. There are several maps and five chapters. In all, the story adds an event more delightful layer to the coloring book. It makes it a story book of coloring designs rather than simply a coloring book.

The book has a removable dust cover. While there are no elements to color on the inside of the dust cover (a missed opportunity), there are areas to color on the actual brown cover which is attached to the book. The designs are printed on both sides of non-perforated cream colored paper. The ink tones seem almost sepia in nature but it may be because of the toothpick tool.

The binding of the book is sewn rather than glued, so you can remove a few pages at a time by snipping a few threads. Eleven of the designs spread across two pages and, in my book, align very well. Fifty-eight designs are printed on one page. Many of the designs merge into the binding but if you remove pages by snipping threads, you should be able to remove them without loss of any of the design. I was able to get the book to lay flat by breaking the spine. There is a bonus fold-out poster included at the back of the book. My copy was fairly bent up. It appears to have been done in manufacturing as the cover of my book and the package it arrived in was pristine.

I tested this coloring book with a wide range of coloring medium (though, I must admit, I did not try a toothpick!) Here are the results of my tests and a listing of the coloring medium I used in testing:

All of my alcohol-based markers bled through the page immediately. My water-based markers and my India ink artist pens left shadows of color on the backside of the page. My gel pens did not bleed through but required a little extra drying time than ordinary. My coloring pencils worked exceptionally well with this paper. The soft lead pencils went on thick and creamy with little effort. They blended exceptionally well. My hard lead pencils went on distinctly and did not leave indents on the back of the page. I plan to use primarily coloring pencils and some gel pens with this coloring book. If you use any form of ink, be sure to use a blotter page below the page you are working on. The ink will certainly mar the design on the back of the page but the blotter page will keep the ink from seeping further into the book.

These are the coloring medium that I use for testing. If there is something else you feel I should be testing, please let me know and I will see if I can add it to my growing pile:

Markers: 1) alcohol-based – Copic Sketch, Prismacolor double ended markers (brush and fine point), Sharpies (fine and ultra-fine) Bic Mark-its (fine and ultra-fine) and 2) water-based – Tombows dual end markers (brush and fine point), Stabilo 88, and Staedler triplus fineliners

India Ink: Faber-Castell PITT artist pens (brush tip)

Gel Pens: Sakura, Fiskars, Uni-ball Signo in the following sizes - 0.28/0.38/0.5/1.0 and Tekwriter

Coloring Pencils: Prismacolor Premier Soft Core, Derwent Colorsoft, Prismacolor Verithins, Caran D'Ache Pablo Colored Pencils and Faber-Castell Polychromos

97 of 100 people found the following review helpful.
I wish Cocot was real!!
By Amazon Customer
A new favorite! The paper is amazing, a nice cream colour and thick so no bleed through from pens. Such a dreamy fairy tale land! And I can't believe she did all of these illustrations with a toothpick!!! Check out my full review video on Colouring by Kourtney (Facebook)

[...]

40 of 42 people found the following review helpful.
Utterly Charming!
By K. Howard
Oh, if only Cocot was a real place! I'd love to live there. It makes me think of small villages in Europe. The pages are off-white and feel rather thick. I plan to use colored pencils, so I haven't tried any other medium. There is a removable dust jacket plus a poster you can pull out and color. There is an index at the back of the book which explains each "scene". There is also a town history at the beginning of the book. It's amazing that this author used toothpicks for her artwork! This coloring book is absolutely beautiful, and I hope to see more by this artist.

See all 121 customer reviews...

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